March 9, 2026

Narrative Juxtaposition: How the Bible Speaks Through Story Placement | Part 2

Narrative Juxtaposition: How the Bible Speaks Through Story Placement | Part 2

Episode 2.89


Mark’s Sandwiches: How the Gospel of Mark Uses Interruptions to Teach Theology


In this episode of Narrative Juxtaposition: How the Bible Speaks Through Story Placement, Michael and Zach examine one of the most distinctive literary techniques in the Gospel of Mark—often called the “Markan sandwich.”


Readers frequently notice that Mark begins one story, suddenly interrupts it with another, and then returns to the original narrative. At first glance the structure can feel abrupt or even chaotic. But when read carefully, these interruptions reveal deliberate narrative design. Mark places one story inside another so that each interprets the other.


We explore several of the clearest examples. In Mark 5, the healing of the bleeding woman interrupts the urgent mission to save Jairus’s daughter, showing that faith remains meaningful even when God’s timing includes delay. In Mark 11, the cursing of the fig tree frames the cleansing of the temple, revealing the fig tree as a symbolic judgment on fruitless religion. And in Mark 6, the joyful mission of the Twelve is interrupted by the execution of John the Baptist, reminding readers that faithful proclamation often leads to suffering.


Throughout the episode we show how Mark communicates theology not primarily through explanation but through narrative placement. The Gospel’s structure forces the reader to slow down and hold multiple scenes together, allowing the stories themselves to interpret one another.


By paying attention to how the stories are arranged, readers begin to see that the interruptions are not distractions—they are the interpretation.


Find our videocast here: https://youtu.be/MmElw3Zd0fA


Merch here: https://take-2-podcast.printify.me/


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Find more Take 2 Theology content at http://www.take2theology.com

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All right, let's say it.
Let's pick a word on the count

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of 3123 juxtaposition.
Oh, what'd you say?

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Gobstones.
I don't know.

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I I just wanted to say a really
random word, 'cause we're in our

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juxtaposition series Episode 2.
I I don't know if you're like me

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starting a new series just like
it's the best.

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I I like fade as a series is
going, but like the first one or

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two, I'm like so pumped for like
framing the discussion big

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picture.
It's like, wow, I get excited

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and then.
You're ready to stop with

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Joshua?
Yeah, after they conquered the

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land, Right.
Like we don't need the last

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three episodes or whatever it
was.

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Yeah.
The the new series is good.

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Last week we talked about
Matthew, this Jewish gospel, and

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how the Gentile inclusions just
really stand out.

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We're staying with the
Synoptics, and I hope you're

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hungry, Michael.
'Cause I am.

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We're talking Mark sandwiches
sounds.

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Good.
How interruptions interpret.

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We'll we'll define some of these
things, but big picture, Mark

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keeps interrupting himself.
We're going to tell you why.

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I I've got a very good idea.
Michael's very exciting.

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He was like, Oh yeah, this.
Is this is great?

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So we'll we'll look at Mark and
and some of these different

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examples of a story starting and
then getting interrupted and

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then finished.
And if it's this idea of

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juxtaposition, like why is this
happening?

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Is this on accident and Mark
loses train of thought?

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Are we just writing things like
randomly?

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Holy Spirit interruptions.
There we go, Holy Spirit

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Interruptions.
Let's talk.

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Mark sandwiches.
Let's take it to the next level.

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Let's fire up that twanga music.
From the hearts of the Low

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Country in South Carolina.
It's the Take Two podcast where

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we take theology to the next
level.

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We see Mark interrupting him.
So I don't know if you've like

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read through Mark.
Obviously you've got good reason

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for thinking this, but it's
like, why did he stop this

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story?
And then, and most noticeably, I

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think sometimes this happens
like in the Holy Week leading up

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to Easter, we see like the fig
tree and it's like he starts a

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story, but he finishes it later.
Why not just like, say the whole

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story all together?
Maybe there's trying to he's

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trying to make a point.
Maybe he's trying to make a

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point.
Yeah.

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And maybe, like if you're
reading someone else's story,

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yeah, you're like, oh, there's a
bigger point here.

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And you would interrupt that
story?

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Yes.
Get that bigger point, yeah, and

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then go back to reading the rest
of the story.

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Yeah, it might help you
understand it better 'cause you

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could just read through it and
you might say, man, this feels

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rushed, feels chaotic.
It feels like where's the editor

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on this thing?
But check this out.

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What if the interruption is the
interpretation?

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Like what if that helps you
understand the story more.

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What what we're kind of putting
forth in this episode is that

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Mark preaches theology by
inserting stories inside of

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other stories that the middle
helps gives clarity, helps give

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clarity to the outside stories.
So it's kind.

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It's not exactly a chiasm, but
it's kind of chiastic.

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And yeah.
Kind of, yeah, 'cause you got

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like the beginning and and the
middle and just like, you know,

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just like we're all thinking
it's an intercalation.

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Oh yeah, that's I was when you
were explaining this, I was

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like, man, he's talking about
intercalations again.

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And if that's if, if
intercalation's not resonating

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with you, just think a markin
sandwich, which I like it.

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I like that it's markin like
markin priority or you know what

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I mean?
I like that markin.

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Yeah, we need something that
'cause we know markin priority

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got to kick that to the curb,
but you don't want to get rid of

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the word markin.
So markin sandwiches.

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Nail it when you say chiasm,
because the structure is like

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that ABA structure where the
story begins, story resumes,

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that that middle point is that
interruption that stands out,

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that helps us interpret
everything and that the the

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meaning emerges from how A&B,
how they're different, but how

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they connect.
Like, what do you take from that

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middle B to help us interpret
that the A conversation and

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Mark?
Mark kind of stands out.

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Maybe we could talk about, you
know, when we're thinking of

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things that make Mark unique.
How does it stand out among the

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other gospels?
Well, you know, I from my

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interpretive framework, I, I, I
just have to give from that I'm.

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Not trying to joke around, but
I.

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'Cause you should go back and
watch our meth methane and mark

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in priority.
Famously I'm methane priority.

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And but maybe you maybe this
won't make a difference in what

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what you think comes first.
But you know, I think we Peter

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is kind of the apostle behind
the Gospel of Mark, right?

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You agree with that, right.
And so then if Peter, well, and

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I happen to think that Peter has
the Gospel of Matthew and the

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Gospel of Luke and he's
switching back and forth of them

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and given Peter's nature, he's
reading this, he's like, let me

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give you a story to illustrate
this point.

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Let me help interpret this
story.

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So he interrupts the story,
Peter while he's teaching the

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the Praetorian Guard and he
gives the story gives some

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details and he goes back to it.
And and when you think of Mark,

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you do think of like there's a
lot of agreement between Matthew

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and Luke, But then there's like
these highlight color things

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that the others don't have there
that I think is Peter

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interjecting in on that story
and saying, all right, let me

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give you some, even some more
first hand stuff.

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That's, and it's known for that
real.

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Fast pace, it's like, yeah,
it's, it's sure.

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It's fast-paced.
We always see like immediately,

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like things are moving on and
on.

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It's from and from one
perspective, the least

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explanatory, you know, maybe
outside of these little asides,

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like it just kind of gets the
main points.

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A lot of times Mark is showing
rather than telling.

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And so because of that, some of
this narrative placement does

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some of that theological work
where sometimes he doesn't over

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explain something, but he
arranges things.

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That's kind of like maybe we're
pushing that a lot, but that's

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what we're leaning into in this
episode.

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And so from, you know what you
were saying that might not have

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any bearing on at least the
priority, right?

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Is kind of like, like, right?
Yeah.

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You could you could well, I
guess he couldn't be reading

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from Matthew right that part and
doing this.

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But maybe let let's say you are
a marking priority and you'd

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think that there's like this
oral tradition that's being

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handled down handed down.
Maybe you could say Peter's

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reciting that and then and even
if.

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He wasn't like Peter was around
for like Matthew or you know

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what I'm saying?
Like you know what I mean?

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So that wouldn't be like
totally, you know, I, I don't

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know, the shortest, I always
fall, I always fall back.

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Like, but I, I guess it does
make sense to you're going to

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want to give like the Cliff
notes versus like you want to

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build on to something.
Might not be as I'm always

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thinking like, oh, I want to add
to something rather than take

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away.
But let's look at these

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examples.
Let's look, it might be too much

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to read some of these, but Mark
5 verses 21 through 43, we have

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this, a couple of stories here.
How, how, how do we want to

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tackle this, Michael, 'cause I
don't know if it's, it's too

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much text.
It's kind of a lot of text.

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It's right on that tipping
point.

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I know, man, it would be, but I
can I if we want to, I can kind

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of give it a speedy read, but
let's.

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Give a speedy read.
All right, we can do that.

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All right, So this is 521
through 43.

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When Jesus had crossed over in
the boat to the other side, a

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large crowd gathered around him.
And so he stayed by the seashore

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on one of the one of the
synagogue officials named Jarius

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came up and on seeing him, fell
at his feet and implored him

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earnestly, saying, My little
daughter is at the point of

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death, please come and lay your
hands on her so that she will

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get well and live.
And he went off with him, and a

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large cloud crowd was following
him and pressing in on Him.

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A woman who had had a hemorrhage
for 12 years, and had endured

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much at the hands of many
physicians, and had spent all

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that she had, and was not helped
at all, but rather had grown

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worse after hearing about Jesus,
she came up in the crowd behind

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him and touched his cloak.
For she thought, If I touch his

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garments, I will be get well.
Immediately the flow of blood

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was dried up, and she felt in
her body that she was healed of

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her affliction.
Immediately Jesus, perceiving in

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himself that the power
proceeding from him had gone

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forth, turned around in the
crowd and said, Who touched my

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garments?
And the disciple said to him,

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You see the crowd pressing in on
you, and you say, Who touched

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me?
And he looked around to see the

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woman who had done this.
But the woman, fearing and

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trembling, aware of what had
happened to her, came and fell

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down before him and told him the
whole truth.

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And he said to her, Daughter,
Your faith has made you well.

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Go in peace and be healed in
your affliction.

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While he was still speaking,
they came from the House of the

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synagogue official saying, Your
daughter has died, why trouble a

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teacher anymore?
But Jesus overheard what was

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being said, said to the
synagogue official, do not be

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afraid any longer, only believe.
And he allowed no one to

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accompany him except Peter and
James and John, the brother of

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James.
They came to the House of the

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synagogue official and he saw a
commotion and people loudly

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weeping and wailing and entering
in.

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He said to them, why make a
commotion and weep?

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The child has not died, but is
asleep.

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They began laughing at him, but
putting them all out, he took

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along, took along the child's
father and the mother and his

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own companions and entered the
room where the child was.

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Taking the child by the hand, he
said to her, Talith Akum, which

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translated means little girl.
I say to you, get up, that's a

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lot.
That's a big translation there.

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Immediately the girl got up and
began to walk, for she was 12

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years old.
And immediately they were

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completely astounded.
And he gave them strict orders

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that no one should know about
this.

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And he said that something
should be giving to her to eat.

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Yeah, and I'm glad we read it
all.

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I think.
I think I think that is helpful.

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We see the story a that's like.
Boom.

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The beginning.
Yeah, boom.

200
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And it's like no transition.
It's.

201
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Just in there.
Just starts a new story.

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Very, very crazy.
We see this first story of

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Jarius, that that book ends.
And in the middle we've got this

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bleeding woman.
We look at Jarius, the synagogue

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leader, very respective,
respected.

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He's given a name.
Yeah.

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We, we know a lot about him.
His daughter is 12 years old.

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Daughter not doing well.
Daughter is dying.

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We read this and and Jarius is
earnestly saying my daughter's

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at the point of death.
There's urgency.

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Immediate action is needed like
she needs to be saved right this

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00:10:46,400 --> 00:10:48,840
seconds.
So you would assume like, OK,

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00:10:49,000 --> 00:10:52,120
let's do this.
This is like we're on pins and

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00:10:52,120 --> 00:10:53,840
needles.
Tell us how this plays out.

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00:10:53,840 --> 00:10:56,080
And then it's like, Nope, we're
we're like in the same story,

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00:10:56,080 --> 00:10:59,000
but we have this bleeding woman,
very strange.

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00:10:59,000 --> 00:11:02,840
It says she's been suffering for
12 years, that Jerry's daughter

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00:11:02,840 --> 00:11:04,600
is 12 years old.
You can see this obvious

219
00:11:04,600 --> 00:11:06,520
connection.
This woman's not named.

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00:11:06,800 --> 00:11:09,080
It's kind of the opposite.
Jerry's is named and respected

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00:11:09,400 --> 00:11:13,160
just like a no name person,
socially unclean financially,

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00:11:13,280 --> 00:11:15,640
doesn't have a lot of money
spent on, you know, physicians.

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00:11:15,640 --> 00:11:17,960
This kind of thing been
suffering kind of the opposite.

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00:11:17,960 --> 00:11:19,200
I didn't even catch the 12
years.

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00:11:19,200 --> 00:11:19,760
I never.
Did.

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00:11:19,880 --> 00:11:22,080
Either until you said, I'm
sitting here thinking for the

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00:11:22,080 --> 00:11:24,400
last 10 seconds like how did I
never catch that?

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00:11:24,400 --> 00:11:26,640
12 years, 12 years, it's.
Like in your face, but you can

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00:11:26,640 --> 00:11:29,000
just like I'm the same way.
It's like you can just go over

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00:11:29,000 --> 00:11:32,360
and so you see you've got this
powerful Gigerius, powerless

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00:11:32,360 --> 00:11:36,120
lady, a very public versus
invisible woman who's just in

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00:11:36,120 --> 00:11:39,880
the lost in the crowd, this, you
know, clean versus unclean.

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00:11:40,320 --> 00:11:44,920
And what Jesus does, he stops,
he asks questions.

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00:11:44,920 --> 00:11:47,880
It's like he's like on a
different timetable.

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00:11:47,880 --> 00:11:49,440
Yeah, and the disciples almost
rebuke him.

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00:11:49,440 --> 00:11:51,840
I tried to like, it was like
you, you see all the people

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00:11:51,840 --> 00:11:55,000
around you, you're constantly
being touched, Jesus, and you're

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00:11:55,000 --> 00:11:59,560
going to say who touched you?
Yeah, what do we even, what are

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00:11:59,560 --> 00:12:03,160
we doing here?
The critical moment, Jesus

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00:12:03,160 --> 00:12:07,280
basically says, you know, don't
fear, just believe.

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00:12:07,280 --> 00:12:09,920
And and you, you step back and
you see, you know, God's power

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00:12:10,640 --> 00:12:12,360
obviously applies in all
different situations.

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00:12:12,360 --> 00:12:15,920
Powerful, powerless, named
person, you know, one of many

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00:12:15,920 --> 00:12:17,680
clean, unclean, all these
different things.

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00:12:17,680 --> 00:12:21,120
But it's not limited by time
like Jesus can do.

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00:12:21,120 --> 00:12:23,840
What do you want?
Things will work out when Jesus

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00:12:23,840 --> 00:12:28,120
is Lord over things like death,
over things like impurity, that

248
00:12:28,120 --> 00:12:31,480
faith is really at the center.
This woman has faith, Jerry

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00:12:31,480 --> 00:12:31,920
says.
Faith.

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00:12:31,920 --> 00:12:35,360
That's like very evident when
others did not have faith.

251
00:12:35,440 --> 00:12:39,760
Right, Yeah, yeah, when, when
the interpretive framework was

252
00:12:39,760 --> 00:12:42,560
there, 'cause I don't know I've
ever read this with that

253
00:12:42,560 --> 00:12:45,440
interpretive framework in mind.
I was like, OK, He ends

254
00:12:45,440 --> 00:12:48,160
basically saying, you know, your
faith healed.

255
00:12:48,160 --> 00:12:52,560
You go, and then boom, you see
the scene where people don't

256
00:12:52,560 --> 00:12:55,840
have faith.
And he's like, get out of here.

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00:12:56,200 --> 00:12:59,320
And he turns to Jairus and he
says something like, if you have

258
00:12:59,320 --> 00:13:01,560
faith, she'll be fine, right?
Does he say something like?

259
00:13:01,560 --> 00:13:06,360
That something like that, like
it's, yeah, exactly.

260
00:13:06,360 --> 00:13:09,440
I don't know exactly, but you
can look look for it I think.

261
00:13:09,440 --> 00:13:12,200
Do not be afraid any longer,
only believe only.

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00:13:12,880 --> 00:13:16,480
Believe oh, that that is good.
And so I think that really sets

263
00:13:16,760 --> 00:13:18,560
the stage.
We've got maybe a couple more

264
00:13:18,560 --> 00:13:21,720
examples here.
Let's look at Mark Chapter 11

265
00:13:23,160 --> 00:13:26,240
and we will look at verses 12
through 25.

266
00:13:26,240 --> 00:13:28,000
Same thing.
I can speed read this and we'll

267
00:13:28,000 --> 00:13:31,520
we'll get we'll get this on the
on the way.

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00:13:31,520 --> 00:13:34,000
So the story a is Jesus curses
the fig tree.

269
00:13:34,000 --> 00:13:36,880
It goes on the following day
when they came from Bethany,

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00:13:37,040 --> 00:13:40,080
Jesus was hungry and seeing in
the distance a fig tree in a

271
00:13:40,080 --> 00:13:41,760
leaf.
He wanted to see if he could

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00:13:41,760 --> 00:13:43,080
find if he could find anything
on it.

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00:13:43,240 --> 00:13:45,720
When he came to it, he found
nothing but leaves, for it was

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00:13:45,720 --> 00:13:49,160
not the season for figs.
And he said to it, pay no one

275
00:13:49,160 --> 00:13:53,280
ever eat fruit from you again.
And his disciples heard it all

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00:13:53,280 --> 00:13:54,080
right.
Story B.

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00:13:54,440 --> 00:13:56,680
And they came to Jerusalem and
he entered the temple and began

278
00:13:56,680 --> 00:13:59,400
to drive out those who sold and
those who bought in the temple.

279
00:13:59,400 --> 00:14:02,360
And he overturned the tables of
the money changers in the seats

280
00:14:02,360 --> 00:14:05,280
of those who sold pigeons.
He would not allow anyone to

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00:14:05,280 --> 00:14:06,440
carry anything through the
temple.

282
00:14:06,440 --> 00:14:08,840
And he was teaching them, and
saying to them, Is it not

283
00:14:08,840 --> 00:14:10,400
written?
My house shall be called a House

284
00:14:10,400 --> 00:14:13,960
of prayer for all nations, But
you've made it a den of robbers.

285
00:14:14,360 --> 00:14:16,480
And the chief priest and the
scribes heard it, and were

286
00:14:16,480 --> 00:14:19,480
seeking a way to destroy him,
for they feared him, because all

287
00:14:19,480 --> 00:14:21,480
the crowd was astonished at his
teaching.

288
00:14:21,920 --> 00:14:24,920
And when evening came, they went
out of the city, then back to

289
00:14:24,920 --> 00:14:26,800
Story A.
As they passed by in the

290
00:14:26,800 --> 00:14:29,560
morning, they saw the fig tree
had withered away to its roots.

291
00:14:29,800 --> 00:14:32,480
And Peter remembered and said to
him, Rabbi, look, the fig tree

292
00:14:32,480 --> 00:14:35,200
that you cursed has withered.
And Jesus answered them Half

293
00:14:35,200 --> 00:14:38,040
faith in God.
Truly, I say to you, whoever

294
00:14:38,040 --> 00:14:40,720
says to this mountain be taken
up and thrown into the sea, and

295
00:14:40,720 --> 00:14:44,200
is not doubt in his heart, but
believes that what he says will

296
00:14:44,200 --> 00:14:45,600
come to pass, it will be done
for him.

297
00:14:45,600 --> 00:14:49,000
Therefore, I tell you, whatever
you ask in prayer, believe that

298
00:14:49,000 --> 00:14:50,680
you have received it and it'll
be yours.

299
00:14:51,040 --> 00:14:53,920
And whenever you stand praying,
forgive, if you have anything

300
00:14:53,920 --> 00:14:57,240
against anyone, so that your
Father also who is in heaven may

301
00:14:57,240 --> 00:15:02,120
forgive you your trespasses.
All right, we got these two

302
00:15:02,120 --> 00:15:03,880
stories.
Like what are we doing, Mark?

303
00:15:03,880 --> 00:15:08,000
Why are we why are we making
these so different to story a

304
00:15:08,000 --> 00:15:13,160
the fig tree curse we got this
tree looks totally healthy.

305
00:15:14,240 --> 00:15:17,440
There's no fruits.
Jesus is looking looking for

306
00:15:17,440 --> 00:15:20,480
fruit and so he curses it.
It also seems weird like on it's

307
00:15:20,480 --> 00:15:23,440
on the surface, like it's not
the season.

308
00:15:23,440 --> 00:15:25,720
Why are we getting upset?
It seems petty.

309
00:15:25,720 --> 00:15:27,560
It does kind of feel out of
character.

310
00:15:27,560 --> 00:15:29,040
Yeah, yeah.
But no fruit.

311
00:15:29,800 --> 00:15:31,200
But no fruits.
No fruit.

312
00:15:31,720 --> 00:15:32,880
But it's not supposed to.
But it's not this.

313
00:15:32,880 --> 00:15:33,840
Yeah.
So and then we get.

314
00:15:33,840 --> 00:15:37,200
So we get to temple cleansing,
religious activity is going on

315
00:15:37,200 --> 00:15:39,560
everywhere.
Clearly there's economic

316
00:15:39,560 --> 00:15:43,360
exploitation.
Prayer is contrasted with den of

317
00:15:43,520 --> 00:15:47,200
like prophet, den of robbers.
There's this is not great.

318
00:15:47,200 --> 00:15:50,720
And if you were to, you know,
look at some key Old Testament

319
00:15:50,800 --> 00:15:54,960
text, Isaiah 56 talks about, you
know, being a House of prayer

320
00:15:54,960 --> 00:15:57,640
for all nations.
Jeremiah 7 talks about den of

321
00:15:57,640 --> 00:15:59,000
robbers.
So he's kind of like bringing in

322
00:15:59,000 --> 00:16:01,440
this Old Testament imagery what
the prophets had talked about.

323
00:16:02,360 --> 00:16:05,080
And then we get to the
second-half of that fig tree

324
00:16:05,520 --> 00:16:07,720
being withered.
The disciples noticed that the

325
00:16:07,720 --> 00:16:11,960
tree is dead from the roots up,
and so we would be wise to

326
00:16:11,960 --> 00:16:13,840
connect this tree with what's
going.

327
00:16:13,840 --> 00:16:15,320
How have I never connected it
before it's?

328
00:16:15,320 --> 00:16:16,160
Weird, right?
Did.

329
00:16:16,960 --> 00:16:18,880
Did did you study that?
Was this part of your graduate

330
00:16:18,880 --> 00:16:21,280
work?
This was this was not the the

331
00:16:21,280 --> 00:16:23,640
one that started it all was
going through.

332
00:16:23,640 --> 00:16:26,440
We were going through the Joshua
series and I got thinking about

333
00:16:26,440 --> 00:16:32,200
Josh Joseph and Judah, like how
it got through this and looking

334
00:16:32,200 --> 00:16:33,920
back and the commentators would
bring me back like, oh, and I

335
00:16:33,920 --> 00:16:37,080
was like, oh, and those two were
right there and I was like, I

336
00:16:37,080 --> 00:16:42,000
wanna And then when I when I was
doing like the grace relations,

337
00:16:42,000 --> 00:16:44,520
like on ethnicity class it I
did.

338
00:16:44,520 --> 00:16:46,600
It was pointing out me in a
book, the Matthew thing, like

339
00:16:46,920 --> 00:16:48,480
how that was.
That's such a big deal.

340
00:16:48,640 --> 00:16:51,280
So you went out and sought for.
And then I sought for other ones

341
00:16:51,320 --> 00:16:52,640
like where does it?
Where does it do this?

342
00:16:52,640 --> 00:16:53,840
And and then I came across this
one.

343
00:16:54,240 --> 00:16:56,640
Yeah, that is.
Crazy those two places got to be

344
00:16:56,640 --> 00:16:59,560
other places, yeah.
Right there, like hidden in

345
00:16:59,560 --> 00:17:02,720
plain sight.
I think Peter's saying this fig

346
00:17:02,720 --> 00:17:06,560
tree like those that temple no
fruit.

347
00:17:06,560 --> 00:17:09,440
No fruit, it like looks good,
the temple looks beautiful,

348
00:17:09,520 --> 00:17:12,720
everything's where it should be,
a lot of activity.

349
00:17:13,960 --> 00:17:18,160
But that judgments explained
symbolically that fruitlessness

350
00:17:18,160 --> 00:17:21,720
man leads to judgment even for
those in God's house, right?

351
00:17:22,040 --> 00:17:25,640
Crazy could be more clear.
That is, it's like, wow.

352
00:17:26,160 --> 00:17:27,920
It's just like crazy.
Yeah, yeah, that's.

353
00:17:28,280 --> 00:17:30,280
Oh man, that's great.
That's good stuff.

354
00:17:30,280 --> 00:17:33,160
Mark 6, get your speed read on
because I think it is helpful

355
00:17:33,160 --> 00:17:36,720
that if we're able to read
through these, this is verse 7

356
00:17:37,600 --> 00:17:41,320
through verse 30.
All right, we get turned to the

357
00:17:41,320 --> 00:17:47,320
right page, verse 7 through 30,
and it says and he's and he's.

358
00:17:47,320 --> 00:17:50,640
Let me just make sure it's six.
Yeah, and he summoned the 12 and

359
00:17:50,640 --> 00:17:53,800
began to send them out in pairs
and gave them authority over the

360
00:17:53,800 --> 00:17:55,880
unclean spirits.
And he instructed them that they

361
00:17:55,880 --> 00:17:59,040
should take nothing for the
journey except the mere staff,

362
00:17:59,360 --> 00:18:02,920
no bread, no bag, no money in
their belt but to wear sandals.

363
00:18:02,920 --> 00:18:05,680
And he added, do not put on 2
tunics.

364
00:18:05,960 --> 00:18:09,000
And he said to them, whenever
you enter a house, stay there

365
00:18:09,000 --> 00:18:12,960
until you leave town, any place
that does not receive you or

366
00:18:12,960 --> 00:18:15,840
listen to you.
As you go out from there, shake

367
00:18:15,840 --> 00:18:19,200
the dust off the soles of your
feet for a testimony against

368
00:18:19,200 --> 00:18:21,200
them.
They went out and preached that

369
00:18:21,200 --> 00:18:24,280
the men should repent.
And they were casting out many

370
00:18:24,280 --> 00:18:28,280
demons and were anointing with
oil many sick people and healing

371
00:18:28,280 --> 00:18:30,840
them.
And King Herod heard of it.

372
00:18:30,920 --> 00:18:33,200
So this would be story B.
OK, great.

373
00:18:33,200 --> 00:18:35,200
Yes.
And King Herod heard of it, for

374
00:18:35,200 --> 00:18:38,440
his name had become well known,
and the people were saying John

375
00:18:38,440 --> 00:18:42,000
the Baptist has risen from the
dead, and that is why these

376
00:18:42,000 --> 00:18:44,680
miracle miraculous powers are at
work in him.

377
00:18:45,080 --> 00:18:47,440
But others were saying he's
Elijah, and others were saying

378
00:18:47,440 --> 00:18:49,560
he is a prophet like one of the
prophets of old.

379
00:18:49,760 --> 00:18:52,680
But when Harriet heard of it, he
kept saying, John whom I

380
00:18:52,680 --> 00:18:55,760
beheaded has risen.
For Herod himself had sent and

381
00:18:55,760 --> 00:18:58,920
had John arrested and bound in
prison on account of Herodias,

382
00:18:58,920 --> 00:19:01,960
the wife of his brother Phillip,
because he had married her.

383
00:19:02,400 --> 00:19:04,840
For John had been saying to
Herod, It is not lawful for you

384
00:19:04,840 --> 00:19:07,920
to have your brother's wife.
Rodius had a grudge against him

385
00:19:07,960 --> 00:19:10,640
and wanted to put him to death,
and could not do so.

386
00:19:11,080 --> 00:19:13,720
For Herod was afraid of John,
knowing that he was a righteous

387
00:19:13,720 --> 00:19:16,200
and holy man.
He kept him safe, and when he

388
00:19:16,200 --> 00:19:20,000
heard him, then when he heard
him, he was very perplexed.

389
00:19:20,000 --> 00:19:23,360
But but, but he used to enjoy
listening to him.

390
00:19:23,920 --> 00:19:27,920
A strategic day came when Herod
on his birthday came up, gave a

391
00:19:27,920 --> 00:19:30,800
banquet for his Lords and
military commanders and the

392
00:19:30,800 --> 00:19:33,160
leading men of Galilee.
And when the daughter of

393
00:19:33,160 --> 00:19:37,120
Herodias came in and danced, she
pleased Herod and his dinner

394
00:19:37,120 --> 00:19:38,880
guest.
And the king said to the girl,

395
00:19:39,080 --> 00:19:41,400
Ask me for whatever you want,
and I will give it to you.

396
00:19:41,520 --> 00:19:44,400
And he swore to her, whatever
you ask, I will give you up to

397
00:19:44,400 --> 00:19:46,840
half my Kingdom.
And she went out and said to her

398
00:19:46,840 --> 00:19:49,520
mother, What shall I ask for?
And she said, The head of John

399
00:19:49,560 --> 00:19:52,520
the Baptist.
Immediately she came in and

400
00:19:52,520 --> 00:19:55,800
hurry to the king and asked,
saying, I want you to give me at

401
00:19:55,800 --> 00:19:58,480
once the head of John the
Baptist on a platter.

402
00:19:58,760 --> 00:20:01,720
And although the king was very
sorry, yet because of his oath

403
00:20:01,720 --> 00:20:03,680
and because of the dinner
guests, he was unwilling to

404
00:20:03,680 --> 00:20:06,200
refuse her.
Immediately the king sent an

405
00:20:06,200 --> 00:20:09,480
executioner and commanded him to
bring back his head, and he went

406
00:20:09,480 --> 00:20:12,200
and had him beheaded in prison,
and brought the head on the

407
00:20:12,200 --> 00:20:14,720
platter and gave it to the girl,
and the girl gave it to her

408
00:20:14,720 --> 00:20:16,640
mother.
When his disciples heard about

409
00:20:16,640 --> 00:20:19,840
this, they came and took away
his body and laid it in a tomb.

410
00:20:20,200 --> 00:20:22,960
The apostles gathered together
with Jesus, and they reported to

411
00:20:22,960 --> 00:20:24,760
him all that they had done and
taught.

412
00:20:25,240 --> 00:20:27,840
So if you're thinking this is a
sandwich, the piece of bird on

413
00:20:27,840 --> 00:20:28,960
the other end is very short.
It's.

414
00:20:28,960 --> 00:20:31,720
Very short and the pops came
back and they they reported to

415
00:20:31,840 --> 00:20:35,600
Jesus.
So, so story A the mission of

416
00:20:35,600 --> 00:20:37,440
the 12 we see authority is given
there.

417
00:20:37,440 --> 00:20:40,720
There's power over demons.
They're preaching repentance and

418
00:20:40,720 --> 00:20:43,640
we see it and it's like pretty
exciting.

419
00:20:43,640 --> 00:20:46,640
It's it's kingdoms expanding.
There's momentum.

420
00:20:46,640 --> 00:20:49,160
They're they're, they're doing
these signs and wonders.

421
00:20:49,160 --> 00:20:52,280
It's like, man, what can stop
God?

422
00:20:52,280 --> 00:20:57,080
Nothing can stop God.
And then right immediately after

423
00:20:57,080 --> 00:21:00,200
we get all this excitement.
That's John the Baptist.

424
00:21:00,200 --> 00:21:05,800
Just it's not good, not great.
This faithful prophet speaks

425
00:21:05,800 --> 00:21:12,640
truth in the face of, you know,
politics executed unjustly.

426
00:21:13,640 --> 00:21:17,080
There's political corruption
making a public spectacle.

427
00:21:17,080 --> 00:21:19,440
Brutality is like
overemphasizing this in a

428
00:21:19,440 --> 00:21:21,960
strange way.
And so you read these two things

429
00:21:21,960 --> 00:21:23,520
together.
What are we supposed to think

430
00:21:23,520 --> 00:21:26,440
about?
You know, it's not that

431
00:21:26,440 --> 00:21:28,560
discipleship is always going to
be awesome.

432
00:21:28,560 --> 00:21:29,520
You're going to, like, cast out
damage.

433
00:21:29,520 --> 00:21:30,960
You're going to be the best
person in the world.

434
00:21:31,240 --> 00:21:33,160
It's discipleship includes
danger.

435
00:21:33,720 --> 00:21:36,120
Being faithful does not
guarantee safety.

436
00:21:36,720 --> 00:21:38,400
Proclamation can lead to
suffering.

437
00:21:38,400 --> 00:21:40,560
I think it's good to hold these
two so you don't, like, run off

438
00:21:40,560 --> 00:21:42,080
in one.
It's not all doom and gloom and,

439
00:21:42,120 --> 00:21:45,440
you know, material, at least not
all, you know, prosperity.

440
00:21:45,560 --> 00:21:49,240
But these things are attention.
Sunshine and roses, Yeah,

441
00:21:49,240 --> 00:21:52,640
sometimes it's dungeons and
beheading I.

442
00:21:52,920 --> 00:21:54,680
That's yeah, it's bad.
It it.

443
00:21:54,800 --> 00:21:56,240
Could be, could be good, could
be bad it.

444
00:21:56,400 --> 00:21:58,800
It could be bad and both of
these, you know, holding up

445
00:21:58,800 --> 00:22:03,080
together gives you that that
balance where you don't get, you

446
00:22:03,080 --> 00:22:09,200
know, A1 sided 1 sided view so
marked sandwiches that was 3

447
00:22:09,200 --> 00:22:14,240
mark in sandwiches you full.
I thought they were good.

448
00:22:14,240 --> 00:22:16,680
I especially that center one,
that was cool.

449
00:22:17,640 --> 00:22:20,080
You know 2 good ones but you put
the best one in the middle.

450
00:22:20,080 --> 00:22:22,920
So you were making a sandwich of
marking sandwiches.

451
00:22:22,920 --> 00:22:24,160
Right.
Well, like a triple Decker.

452
00:22:24,160 --> 00:22:27,040
Yeah, there you go.
And we see, you know, these

453
00:22:27,040 --> 00:22:32,120
different theological themes
being promoted like faith, you

454
00:22:32,120 --> 00:22:34,600
know, God's overtime.
Faith is at the central no, no

455
00:22:34,600 --> 00:22:36,520
matter what's happening,
judgment being revealed

456
00:22:36,520 --> 00:22:39,560
symbolically to those that don't
produce fruit.

457
00:22:39,880 --> 00:22:44,080
And then this realistic view of
discipleship and really it, it

458
00:22:44,120 --> 00:22:46,520
when I more, I read scripture
and go through some of this like

459
00:22:46,520 --> 00:22:48,280
biblical theology and see the
connections.

460
00:22:48,280 --> 00:22:51,160
It's, it is, it is a literary
genius.

461
00:22:51,160 --> 00:22:55,520
Like you can't craft stuff
better than this.

462
00:22:55,520 --> 00:22:57,160
Yeah, that's really good it.
Is really good.

463
00:22:57,160 --> 00:23:00,520
So, so read things, look at
their placement.

464
00:23:01,360 --> 00:23:05,440
You know, you should think about
why, why is this here?

465
00:23:05,600 --> 00:23:08,480
Especially if you're like, man,
seems like everything's going

466
00:23:08,480 --> 00:23:11,280
great for the disciples, the
terrible like you, you see these

467
00:23:11,280 --> 00:23:13,440
things.
Just just start and think about

468
00:23:13,440 --> 00:23:15,720
it because I think that tells
you a lot about what you are

469
00:23:15,720 --> 00:23:18,120
reading.
It's hard to always have that

470
00:23:18,520 --> 00:23:21,920
purview, but it's like good good
to think about big picture

471
00:23:21,920 --> 00:23:25,080
what's going on.
Sometimes, you know, I think it

472
00:23:25,080 --> 00:23:27,400
goes both ways.
It's like, I think what we do

473
00:23:27,400 --> 00:23:31,280
well of in our tradition is
nailing down the details.

474
00:23:31,880 --> 00:23:35,480
We hang on to every warden we
should and we're parsing out,

475
00:23:35,480 --> 00:23:38,680
and that's good.
But man, you can also.

476
00:23:39,000 --> 00:23:40,880
Miss the forest for the trees.
Yes, yeah.

477
00:23:40,880 --> 00:23:45,240
And you really can.
And I found that more so true in

478
00:23:45,240 --> 00:23:47,800
my life missing.
It's like, man, I'm seeing this

479
00:23:47,800 --> 00:23:49,560
big picture and like reading
this, like you were saying, it's

480
00:23:49,560 --> 00:23:52,040
like it's right there, it's
right there.

481
00:23:52,880 --> 00:23:55,160
So it's good to, you know, it's
good to zoom in and zoom out, do

482
00:23:55,160 --> 00:23:56,480
both those, do both those
things.

483
00:23:56,520 --> 00:24:00,680
Yeah, it's very good.
Next, we've got a few more

484
00:24:00,680 --> 00:24:02,160
aligned.
I don't know if we'll use all of

485
00:24:02,160 --> 00:24:06,800
these, but you know, maybe we'll
talk a little profits down the

486
00:24:06,800 --> 00:24:08,520
road.
Something else?

487
00:24:09,000 --> 00:24:12,040
Anything else you got on Mark or
sandwiches?

488
00:24:12,440 --> 00:24:14,560
I mean, sandwiches are great.
Yeah, sandwich.

489
00:24:14,760 --> 00:24:16,600
Whoever invented the sandwich,
great job.

490
00:24:16,720 --> 00:24:18,760
Yeah, the Earl sandwich or
something like that.

491
00:24:18,880 --> 00:24:20,560
OK, OK.
Yeah, yeah.

492
00:24:21,160 --> 00:24:22,720
I don't.
I think that's what we're told,

493
00:24:23,600 --> 00:24:25,000
Yeah.
I don't know if that's actually

494
00:24:25,320 --> 00:24:27,280
that's actually the thing.
Yeah, Yeah, that's great.

495
00:24:27,280 --> 00:24:30,680
Maybe it is.
Well, if nothing else, we can

496
00:24:30,680 --> 00:24:32,200
transition.
Yeah, let's do that.

497
00:24:32,320 --> 00:24:34,120
To the last take.
Last take.

498
00:24:34,440 --> 00:24:38,160
Man, yeah.
So the clue that I remember,

499
00:24:38,160 --> 00:24:39,720
that clue that I said like if I
forget.

500
00:24:40,400 --> 00:24:42,880
Don't disremember.
It was like it was.

501
00:24:43,280 --> 00:24:45,800
It was something like not very
good, not very good.

502
00:24:45,840 --> 00:24:49,120
Yeah, good.
So some of our listeners will

503
00:24:49,120 --> 00:24:54,200
know, I know you know that there
are there's a group of men at

504
00:24:54,200 --> 00:24:59,360
our church.
We we play Dean D and we just

505
00:24:59,360 --> 00:25:00,880
had a recent session.
Wow.

506
00:25:01,760 --> 00:25:05,280
And you know, I'm the DM, so I'm
trying to put together a

507
00:25:05,280 --> 00:25:07,600
narrative story and I put a lot
of time into.

508
00:25:07,600 --> 00:25:11,480
Have you ever seen these
recordings where people like

509
00:25:11,600 --> 00:25:14,720
sing against themselves?
Like they put like they, they do

510
00:25:14,720 --> 00:25:17,000
all four parts or.
Something easy, yeah.

511
00:25:17,760 --> 00:25:22,280
And man, like not not that easy
to do.

512
00:25:22,400 --> 00:25:25,320
And I was, I put a lot of time
in.

513
00:25:25,320 --> 00:25:29,040
So I took the song from The
Hobbit and I, you know, put

514
00:25:29,040 --> 00:25:31,040
different words to it.
So I was thinking a long time

515
00:25:31,040 --> 00:25:33,240
about that.
And then I was like having to

516
00:25:33,240 --> 00:25:35,800
like put it into my song thing.
So 'cause you have to like be

517
00:25:35,800 --> 00:25:38,600
able to hear it so that you're
you're with it.

518
00:25:38,640 --> 00:25:40,000
So you have.
To it doesn't work if you're

519
00:25:40,040 --> 00:25:41,040
off.
Right, right.

520
00:25:41,040 --> 00:25:43,800
You have to hear it and sing it
and which is a really weird

521
00:25:43,800 --> 00:25:45,160
thing.
And this song was a little bit

522
00:25:45,160 --> 00:25:48,160
weird and I put it together and
not good.

523
00:25:48,800 --> 00:25:49,640
Oh yeah, yeah.
Not.

524
00:25:49,720 --> 00:25:52,000
Good.
I was like, I don't think I'm

525
00:25:52,000 --> 00:25:54,000
ever going to let anyone hear
this.

526
00:25:54,000 --> 00:25:57,320
I may try it again.
Like because I was, I was

527
00:25:57,320 --> 00:26:00,520
telling Jonathan, like I got
some excuses like my throat, you

528
00:26:00,520 --> 00:26:03,000
know, I was coming off of a
little bit of a sickness.

529
00:26:03,000 --> 00:26:07,000
And so, and I think maybe I can
do my setup a little bit better.

530
00:26:07,000 --> 00:26:09,880
But man, I listened back to it.
I was like, I was just laughing.

531
00:26:09,880 --> 00:26:11,200
I was like this.
Is that's so funny.

532
00:26:11,200 --> 00:26:12,800
Yeah, that's not good.
How challenging that is.

533
00:26:12,800 --> 00:26:16,640
Yeah, man.
You want to play it, give us so

534
00:26:16,640 --> 00:26:18,000
did you You did not.
You did not.

535
00:26:18,120 --> 00:26:20,040
You did you play that.
I did not play it for them.

536
00:26:20,040 --> 00:26:20,480
Yeah.
Yeah.

537
00:26:20,480 --> 00:26:21,600
And they're like, will we ever
hear it?

538
00:26:21,600 --> 00:26:24,760
I'm like, not in the serious
thing.

539
00:26:24,760 --> 00:26:25,880
Maybe we just want to laugh.
Oh.

540
00:26:26,800 --> 00:26:29,840
That's good, man.
Yeah, this thing, it's funny,

541
00:26:29,840 --> 00:26:31,800
you look at like some of these
videos stuff and you're like, I

542
00:26:31,800 --> 00:26:34,320
mean, obviously it's hard work
and perfection, all these

543
00:26:34,320 --> 00:26:36,360
things, but it just seems like
it's just effortlessly put

544
00:26:36,360 --> 00:26:38,440
together, you know?
Yeah, And I wonder what their

545
00:26:38,440 --> 00:26:41,520
setup is because I see some
people like I was recording into

546
00:26:41,520 --> 00:26:44,440
my phone and listening from the
computer because the computer

547
00:26:44,440 --> 00:26:46,920
would scroll the music for me.
Oh, yeah.

548
00:26:46,920 --> 00:26:49,360
And this mic was is here and not
at my house.

549
00:26:49,360 --> 00:26:53,720
It's like if I had this mic,
maybe I would sing into this mic

550
00:26:53,720 --> 00:26:56,640
and then listen from my phone.
But yeah, you have to hear the

551
00:26:56,640 --> 00:27:02,120
music so that you can do you can
have the the rhythm, you know,

552
00:27:02,120 --> 00:27:04,600
and the tempo and stuff be the
exact same every time.

553
00:27:04,600 --> 00:27:08,000
So you're singing to a track,
but you're only but only, only

554
00:27:08,000 --> 00:27:10,480
that's getting recorded.
So it was it was a good

555
00:27:10,480 --> 00:27:12,760
experience.
Gave me a better appreciation

556
00:27:12,760 --> 00:27:15,800
for those people online.
Like, OK, you'd figure this out

557
00:27:16,120 --> 00:27:20,920
even singing in tune like you
would think, but like it's with

558
00:27:20,920 --> 00:27:23,360
that noise right in my ear.
Yeah.

559
00:27:23,360 --> 00:27:27,000
Like sometimes I'd, I'd be like,
why did I, why did I go flat or

560
00:27:27,000 --> 00:27:29,440
sharp on that, that note I
shouldn't have.

561
00:27:29,440 --> 00:27:32,000
It was it was, it was humbling.
I'll say that.

562
00:27:32,480 --> 00:27:37,800
I've often thought we should do
a take two, do a take two song.

563
00:27:38,200 --> 00:27:39,040
Yeah, take.
Two song.

564
00:27:41,520 --> 00:27:43,240
It'd be, it'd be it'd be not
good.

565
00:27:43,840 --> 00:27:45,360
Mainly 'cause I can't.
I don't like.

566
00:27:45,440 --> 00:27:49,200
A little Jingle or something?
A little Jingle, you know, you,

567
00:27:49,320 --> 00:27:51,720
you know, never know.
So if you want to see that, you

568
00:27:51,720 --> 00:27:56,160
know, put it in the comments,
man.

569
00:27:56,360 --> 00:27:58,560
Yeah, all those things.
There's like so many great ideas

570
00:27:58,560 --> 00:28:01,640
I have of like a little skit
here, a little from there.

571
00:28:02,000 --> 00:28:04,760
It's just so hard to edit stuff.
I mean, I don't do any of it

572
00:28:04,760 --> 00:28:08,520
anyway, but it's like, you just
got to like, it's too much work,

573
00:28:09,000 --> 00:28:11,200
you know?
Yeah, I don't know if it's on

574
00:28:11,200 --> 00:28:16,720
this channel like this channel
back in the day was my personal

575
00:28:16,720 --> 00:28:22,040
channel and I started putting
some like apologetic classes up

576
00:28:22,040 --> 00:28:23,960
there and stuff.
But it was like there was like

577
00:28:24,760 --> 00:28:28,120
you I think you can probably see
since you have editor rights or

578
00:28:28,120 --> 00:28:30,640
something, but you can go back
and like the very first videos.

579
00:28:30,640 --> 00:28:33,280
I have just a lot of personal
videos that are unlisted.

580
00:28:33,840 --> 00:28:36,600
So I don't I think I don't know
if it's on this channel.

581
00:28:36,760 --> 00:28:41,760
Once we kind of when I started
doing like clear Christian

582
00:28:41,760 --> 00:28:47,520
thinking, we retitled the
channel, I put together a my I

583
00:28:47,520 --> 00:28:53,120
was like, OK, I need to kind of
separate my personal videos from

584
00:28:53,120 --> 00:28:55,840
this channel.
So I did create a, a just a

585
00:28:55,840 --> 00:28:58,360
different channel that is
Michael Mott.

586
00:28:58,360 --> 00:29:00,920
So I say all that to say, I
don't know where this video

587
00:29:00,920 --> 00:29:02,120
lives.
It could be on that one, it

588
00:29:02,120 --> 00:29:06,160
could be on both.
But I did, we did back when

589
00:29:06,320 --> 00:29:13,680
Julia was born, 2013, we put I
put together a edited video of

590
00:29:14,200 --> 00:29:17,360
Chloe and Lydia called the N
sisters.

591
00:29:17,600 --> 00:29:20,600
Oh, that's funny.
And because when we were

592
00:29:20,600 --> 00:29:25,280
visiting Jill, they would fight
for the who's going to push the

593
00:29:25,280 --> 00:29:27,040
buttons on the elevators at
MUSC?

594
00:29:29,200 --> 00:29:34,200
And so Juju, Jill's mom got onto
him like y'all should be, you

595
00:29:34,200 --> 00:29:37,240
know, you should be the first
show, be the last slash should

596
00:29:37,240 --> 00:29:38,960
be first.
You know, you should be wanting

597
00:29:38,960 --> 00:29:40,720
your, you know, you should love
each other enough like the

598
00:29:40,720 --> 00:29:42,120
other.
So the next time they're like,

599
00:29:42,120 --> 00:29:44,040
no, you go first, you go first,
you go first.

600
00:29:44,400 --> 00:29:46,520
So then we made a little skid
out of that, called it the

601
00:29:46,520 --> 00:29:48,680
ancestors because they were
insisting that the other one

602
00:29:48,680 --> 00:29:50,280
goes first.
Insist.

603
00:29:50,320 --> 00:29:51,280
Good.
That's really good.

604
00:29:51,280 --> 00:29:54,000
Insist, man.
So good.

605
00:29:54,080 --> 00:29:58,000
You know, I, I had you know,
when you think of something that

606
00:29:58,000 --> 00:30:00,280
I'm just like too tired.
I had it was such a good thing

607
00:30:00,280 --> 00:30:03,760
to add here.
It it was another plug for this

608
00:30:03,760 --> 00:30:07,280
stupid video made this little
skit in college that I'm gonna

609
00:30:07,360 --> 00:30:10,360
that that I don't remember what
we called it.

610
00:30:10,360 --> 00:30:13,600
Smith 232 'cause that was the
name of our dorm in our dorm

611
00:30:13,600 --> 00:30:14,760
room.
Smith, 232.

612
00:30:15,200 --> 00:30:17,600
Our roommates.
And this is from Bob Jones.

613
00:30:17,600 --> 00:30:18,840
Bob Jones, the.
Bears.

614
00:30:19,240 --> 00:30:21,480
Bruins.
The Bruins, they are Bears.

615
00:30:21,720 --> 00:30:23,120
I mean, you're not wrong.
Yeah, yeah.

616
00:30:23,960 --> 00:30:24,800
It was, yeah.
So it was good.

617
00:30:24,800 --> 00:30:26,640
You know what they were called
before the Bruins?

618
00:30:26,840 --> 00:30:30,040
You told me this before and it
was something honestly, I.

619
00:30:30,040 --> 00:30:30,840
Actually like it.
Yeah.

620
00:30:30,960 --> 00:30:32,480
What was it?
The Swamp Angels.

621
00:30:32,480 --> 00:30:34,480
Swamp angels, isn't that.
Crazy.

622
00:30:35,000 --> 00:30:37,000
I think maybe I made that up.
And I think, I don't think

623
00:30:37,040 --> 00:30:38,440
that's what they were back in
the day.

624
00:30:39,720 --> 00:30:42,960
Speaking of the Bears, yeah, AKA
Bruins Bears.

625
00:30:43,360 --> 00:30:47,320
Have you heard that the Chicago
Bears are probably gonna move

626
00:30:47,320 --> 00:30:51,080
out of Chicago and Indiana?
Yeah, the Bears are going to

627
00:30:51,080 --> 00:30:52,280
move to Indiana.
Likely.

628
00:30:52,680 --> 00:30:56,520
Just like tax reasons state like
that seems weird they don't have

629
00:30:56,520 --> 00:30:58,360
space in Chicago or like what's
the deal I think.

630
00:30:58,360 --> 00:30:59,960
They're just tired of Chicago.
No.

631
00:30:59,960 --> 00:31:02,520
Are you serious?
Yeah, and the Indiana?

632
00:31:02,520 --> 00:31:04,920
Indiana be a better market than
Chicago?

633
00:31:04,920 --> 00:31:06,480
Well.
It's like, you know, there's

634
00:31:06,480 --> 00:31:07,680
like.
I know it's not far.

635
00:31:07,720 --> 00:31:09,840
I guess they're just thinking
they'll keep all their fans,

636
00:31:09,840 --> 00:31:11,640
like they won't like Alien and
so I guess.

637
00:31:11,640 --> 00:31:14,920
So I don't know, Yeah, go, go
check it out.

638
00:31:14,920 --> 00:31:17,440
I well.
That's crazy cause bears is like

639
00:31:17,440 --> 00:31:18,520
one of those.
I mean, I know they haven't been

640
00:31:18,520 --> 00:31:20,600
good for forever, but it's like,
so like.

641
00:31:20,720 --> 00:31:22,920
Just tradition.
Yeah, yeah, yeah.

642
00:31:23,640 --> 00:31:25,440
That is crazy, man.
Sports teams, man.

643
00:31:25,440 --> 00:31:28,080
No allegiance.
It's very confusing.

644
00:31:28,080 --> 00:31:31,200
Like the Oklahoma City Thunder
used to be the Seattle

645
00:31:31,200 --> 00:31:34,840
SuperSonics, and it's just weird
because.

646
00:31:35,160 --> 00:31:37,840
Who were the was there
Timberwolves?

647
00:31:37,840 --> 00:31:39,560
Minnesota Timberwolves.
They're still around.

648
00:31:39,840 --> 00:31:41,920
What it what is it Minnesota?
Timberwolves.

649
00:31:42,360 --> 00:31:45,040
Yeah, yeah.
But it's weird when a team like

650
00:31:45,040 --> 00:31:48,800
moves like I guess Oklahoma
City, like has all the history

651
00:31:48,800 --> 00:31:50,880
of Seattle, but they're a
different team, different

652
00:31:50,880 --> 00:31:53,200
countries.
But it's like like, do you

653
00:31:53,200 --> 00:31:54,480
count?
They made it to the can you be

654
00:31:54,480 --> 00:31:57,400
like, OKC made it to the finals
in 1998 or so, You know what I

655
00:31:57,400 --> 00:31:59,160
mean?
It's like weird, like the it's

656
00:31:59,160 --> 00:32:00,320
totally, it's like.
Seattle.

657
00:32:00,320 --> 00:32:01,120
Where did they go?
Where did?

658
00:32:01,680 --> 00:32:03,760
The Grizzlies come from.
Yeah, Where did they come from?

659
00:32:03,760 --> 00:32:05,280
Where did they go?
Cotton Eye, Joe.

660
00:32:05,520 --> 00:32:07,520
There you go.
Where would you say a lot of

661
00:32:07,520 --> 00:32:09,440
grizzly bears are?
Like where do you think?

662
00:32:09,640 --> 00:32:11,520
Like if you just had to guess
what part of the country.

663
00:32:11,960 --> 00:32:16,080
Well, up in the like Washington,
yeah.

664
00:32:16,200 --> 00:32:17,680
Very close to Vancouver.
Yeah, yeah, yeah.

665
00:32:17,680 --> 00:32:19,320
So yeah, they were Vancouver
Grizzlies.

666
00:32:19,320 --> 00:32:20,840
And I guess Canadians didn't
love it.

667
00:32:20,840 --> 00:32:23,720
Yeah.
So yeah, I mean Seattle,

668
00:32:24,080 --> 00:32:26,680
Vancouver both lost teams like
they got kind.

669
00:32:26,680 --> 00:32:28,440
Of But they went down to
Memphis, Yeah.

670
00:32:28,440 --> 00:32:29,800
Then where do they?
They're not still in Memphis.

671
00:32:29,800 --> 00:32:31,440
They are Memphis.
Oh, they star still in Memphis.

672
00:32:31,440 --> 00:32:33,880
Yeah, surprisingly, because they
don't make like small market,

673
00:32:33,880 --> 00:32:37,320
it's hard to make money.
There's there's some that they

674
00:32:37,360 --> 00:32:40,720
just don't play in the the.
They don't play in the pyramid.

675
00:32:40,760 --> 00:32:42,440
Yet.
OK, I thought they left.

676
00:32:42,480 --> 00:32:44,440
Yeah, they had to build the
FedEx forum.

677
00:32:44,600 --> 00:32:46,360
OK.
So yeah.

678
00:32:46,440 --> 00:32:49,880
So there is a there is a pro
sports team within driving

679
00:32:49,880 --> 00:32:52,280
distance of I'm just.
Curious like some good, they're

680
00:32:52,320 --> 00:32:54,480
a mess, but they, I don't know
if you know anything about John

681
00:32:54,480 --> 00:32:58,800
Morant, but he's got this.
He's got this bad habit of like

682
00:32:59,520 --> 00:33:02,320
pulling out guns on his
Instagram videos and it's just

683
00:33:02,320 --> 00:33:03,600
not.
Can you imagine the league

684
00:33:03,600 --> 00:33:05,920
doesn't love it?
He's a player on the team, yeah.

685
00:33:05,920 --> 00:33:07,920
He's like.
Amazing athlete.

686
00:33:07,920 --> 00:33:09,880
He's like, he's like the perfect
athlete and the fact that he's

687
00:33:09,880 --> 00:33:14,000
like 6 foot one and can like,
it's like a short guy who can

688
00:33:14,000 --> 00:33:16,840
just like jump over people and
dunk over people.

689
00:33:17,560 --> 00:33:20,160
He he's like he's been injured
and not been good and he's been

690
00:33:20,160 --> 00:33:22,520
suspended and stuff.
So he's he's, he's gonna kind of

691
00:33:22,520 --> 00:33:24,960
been a bummer, but he was like
their guy and, you know, it's

692
00:33:24,960 --> 00:33:26,720
kind of falling apart.
Yeah.

693
00:33:27,240 --> 00:33:29,680
So maybe you know this, this has
gone a little long, but maybe

694
00:33:29,680 --> 00:33:32,440
you know this as APT.
You know you have slow twitch

695
00:33:32,440 --> 00:33:36,160
and fast twitch, yes.
And strength is generally

696
00:33:37,200 --> 00:33:40,160
associated with fast twitch
muscles lifting and stuff,

697
00:33:40,160 --> 00:33:45,240
right?
Well, some lifts, yes and no,

698
00:33:45,240 --> 00:33:49,760
where some strength takes a few
seconds.

699
00:33:49,800 --> 00:33:52,880
Like to get strength, like for a
deadlift or squat, you're going

700
00:33:52,880 --> 00:33:54,440
to use both.
But fast twitch is usually

701
00:33:54,440 --> 00:33:58,240
explosive fast, which is a
little bit different than

702
00:33:58,240 --> 00:34:01,440
strength, although it's they're
more similar than endurance.

703
00:34:01,680 --> 00:34:03,760
But you all of a say it's a big
spectrum.

704
00:34:04,160 --> 00:34:06,520
It's not like type 2 type one.
It's like, I mean, it's

705
00:34:06,520 --> 00:34:10,120
everything in between.
Yeah, so back when in my more

706
00:34:10,120 --> 00:34:14,360
trim days, even even I was just,
I was never a dunker.

707
00:34:14,639 --> 00:34:19,199
I just never had the
explosiveness but.

708
00:34:20,080 --> 00:34:22,400
A strong guy.
But a strong guy.

709
00:34:22,800 --> 00:34:25,719
I mean, you know, you've heard
me say it.

710
00:34:25,719 --> 00:34:26,800
Yeah.
I don't know that you believe

711
00:34:26,800 --> 00:34:28,639
it, but a a sprinter.
Back in the day, yeah.

712
00:34:29,239 --> 00:34:31,719
So I was, I was always puzzled
by this, like that is.

713
00:34:31,719 --> 00:34:35,639
So interesting because this is
not this is this is always true.

714
00:34:35,960 --> 00:34:40,360
What you're saying can be true
to, but nine times out of 10 you

715
00:34:40,360 --> 00:34:44,360
find the guy that can jump the
highest, probably the fastest.

716
00:34:44,360 --> 00:34:47,600
Not always true, but that that's
like a really good correlation,

717
00:34:48,719 --> 00:34:49,840
but not all the time.
Yeah, yeah.

718
00:34:49,840 --> 00:34:53,159
And I want to say this, I was
not faster than the running

719
00:34:53,159 --> 00:34:53,880
backs.
Oh, right.

720
00:34:53,960 --> 00:34:54,840
Yeah.
But a state.

721
00:34:54,840 --> 00:34:57,240
Yeah, yeah.
But I was so I guess that is a

722
00:34:57,240 --> 00:35:04,120
good measure, you know, being
the fastest O lineman and the

723
00:35:04,280 --> 00:35:07,200
the the best.
I think I had either the best of

724
00:35:07,200 --> 00:35:08,920
this, I don't also walk on it a
state.

725
00:35:08,960 --> 00:35:11,120
Yeah, yeah, yeah.
And I had either the best or the

726
00:35:11,120 --> 00:35:13,360
second best vertical of the
alignment.

727
00:35:13,360 --> 00:35:15,960
That's impressive.
Yeah, but I was also some of

728
00:35:15,960 --> 00:35:20,040
those guys were.
Yeah, that's probably the limit

729
00:35:20,240 --> 00:35:23,120
thing.
And I was like. 250-5265 So I

730
00:35:23,120 --> 00:35:25,760
was having to get less up in the
air.

731
00:35:25,960 --> 00:35:27,080
Yeah, that's probably a lot of
it too.

732
00:35:27,080 --> 00:35:29,880
It's like it's a lot easier to
jump.

733
00:35:30,120 --> 00:35:32,280
Like if you're producing the
same amount of force but you

734
00:35:32,280 --> 00:35:34,320
have less weight to push that
that's also.

735
00:35:34,560 --> 00:35:36,960
A big part of it, yeah.
A big part of pull ups too, just

736
00:35:37,280 --> 00:35:37,840
like that's.
True.

737
00:35:38,760 --> 00:35:41,560
There was there was one time in
my life that I could do pull ups

738
00:35:41,600 --> 00:35:45,160
is in the Navy.
I was running all the time and I

739
00:35:45,160 --> 00:35:48,000
weighed more than than when I
was.

740
00:35:48,240 --> 00:35:50,080
Maybe I could have done a pull
up in football.

741
00:35:50,080 --> 00:35:51,840
We just didn't do them a lot at
a state.

742
00:35:52,080 --> 00:35:55,360
We were lifting like crazy all
the time at a state, but I don't

743
00:35:55,360 --> 00:35:57,400
know that pull up was in there.
It's great.

744
00:35:57,600 --> 00:35:59,760
But when I was in the Navy, we
were running all the time.

745
00:35:59,840 --> 00:36:02,080
I went into a gym and I was
like, we'll just see.

746
00:36:02,080 --> 00:36:04,160
And I was like, I was like, I
need a pull up.

747
00:36:04,200 --> 00:36:06,000
Really never not be able to do a
pull up again.

748
00:36:06,000 --> 00:36:08,520
And it's like, you know, 12
months later, I was like, I

749
00:36:08,560 --> 00:36:10,320
can't do a pull up anymore.
Yeah, it's so funny.

750
00:36:10,320 --> 00:36:13,800
Like finding those because
obviously I'm, I'm the opposite

751
00:36:13,800 --> 00:36:17,280
where it's like I'll go to the
fair and they'll be like do 15

752
00:36:17,280 --> 00:36:20,240
pull ups, you win a prize, it'll
be easy, let's do it.

753
00:36:20,480 --> 00:36:22,800
But I'm not very strong, but I
can do a lot of pull ups are,

754
00:36:22,800 --> 00:36:24,680
you know what I'm saying?
So it's all and I could always

755
00:36:24,680 --> 00:36:28,120
jump high and run fast, but it's
all relative to body weight

756
00:36:28,120 --> 00:36:31,680
where, you know, I I wasn't
putting up great numbers in the

757
00:36:31,680 --> 00:36:33,120
weight room, you know what I
mean?

758
00:36:33,480 --> 00:36:35,520
Yeah, which which was crazy
because, you know, I just kind

759
00:36:35,520 --> 00:36:40,400
of returned to weightlifting and
like on my second or third one,

760
00:36:40,400 --> 00:36:44,960
I did my peaked on my bench like
205 five times, which is yeah.

761
00:36:45,200 --> 00:36:46,480
Yeah, yeah, yeah.
That's pretty good.

762
00:36:46,480 --> 00:36:49,800
Like there's so I'm like 225 is
right around the corner, which

763
00:36:49,800 --> 00:36:54,640
is like what a lot of people are
like they if you can get 225,

764
00:36:54,640 --> 00:36:57,680
but I'm but I'm a big guy.
So you would think that, you

765
00:36:57,680 --> 00:37:00,040
know, I have probably just, I
don't know, more mass, more

766
00:37:00,040 --> 00:37:00,960
frame to.
Do that.

767
00:37:00,960 --> 00:37:03,240
Yeah, it is.
It is crazy.

768
00:37:03,480 --> 00:37:05,640
Yeah.
I've been, I've been, I've been

769
00:37:05,640 --> 00:37:07,320
falling off a little bit, but I
was, I've been doing a lot of

770
00:37:07,320 --> 00:37:09,240
speed work and like sprinting
and stuff.

771
00:37:09,240 --> 00:37:12,160
And a couple of people that play
Frisbee, they did.

772
00:37:12,680 --> 00:37:15,120
They ran track in college.
And Zach?

773
00:37:15,120 --> 00:37:17,440
You're so much faster.
They they haven't noticed, but

774
00:37:17,440 --> 00:37:19,240
the but I did I this is a really
good compliment.

775
00:37:19,240 --> 00:37:22,080
Not that Al Frisbee is a lot,
but they're like, there's like 3

776
00:37:22,080 --> 00:37:24,040
guys that were on track in
college and they're like, Zach,

777
00:37:24,040 --> 00:37:25,840
you ran track in college, right?
They're like, and I was like,

778
00:37:25,840 --> 00:37:28,600
no, it's great.
I was like, you know, but

779
00:37:28,600 --> 00:37:32,360
they're like man, they're like
they which it's they're like

780
00:37:32,360 --> 00:37:37,040
man, you would perfect for that.
They they they place me.

781
00:37:37,040 --> 00:37:38,480
Can you guess what distance they
place me?

782
00:37:38,920 --> 00:37:41,680
More of a not high distance, but
higher than a, you know, fast.

783
00:37:41,840 --> 00:37:46,040
I would say 200.
See that that that would be

784
00:37:46,040 --> 00:37:48,120
better.
They they place me at the 408

785
00:37:48,120 --> 00:37:49,160
hundred.
Oh, the 800?

786
00:37:49,320 --> 00:37:50,640
Yeah, yeah.
And I looked at I looked up like

787
00:37:50,640 --> 00:37:57,040
what's like an Olympic frame
like elite level 800m runner and

788
00:37:57,040 --> 00:38:02,480
they're like ideal is like 5-9
to six one like 160 lbs.

789
00:38:02,480 --> 00:38:05,320
That's like you have to be that.
Like that's like what you have

790
00:38:05,320 --> 00:38:07,440
to be to run that because you're
because you're.

791
00:38:07,440 --> 00:38:11,840
Trading off what you're carrying
with your muscle that you have

792
00:38:11,840 --> 00:38:13,240
to.
Do yeah, it's like a it's like a

793
00:38:13,240 --> 00:38:16,760
mix where if you run the 100,
you probably need to be like 15

794
00:38:16,760 --> 00:38:19,840
lbs more of muscle.
If you're going to run like

795
00:38:20,120 --> 00:38:22,160
longer distance, you'd be a
little bit, a little bit

796
00:38:22,160 --> 00:38:23,800
thinner.
But that's like the, that's like

797
00:38:23,800 --> 00:38:26,720
what you know.
Now that I think about my

798
00:38:26,720 --> 00:38:29,800
answer, 800 is better.
Yeah, they're like, man, you're

799
00:38:29,800 --> 00:38:32,440
built for the 800.
Yeah, I I knew a guy actually

800
00:38:32,680 --> 00:38:35,760
crazy.
He was in a car accident and

801
00:38:35,960 --> 00:38:39,480
died recently.
But you're billed and he went to

802
00:38:39,480 --> 00:38:42,000
state in the 800.
I was like, that's, that's I

803
00:38:42,000 --> 00:38:45,440
wish I had track, track to run.
But soccer, soccer was good, you

804
00:38:45,440 --> 00:38:50,160
know, basketball was fine
because I we can get off the

805
00:38:50,160 --> 00:38:52,000
cinema running along.
But man, the best thing is just

806
00:38:52,000 --> 00:38:54,400
playing out a small Christian
School where it's like.

807
00:38:54,520 --> 00:38:56,000
The best thing about banter at
the end is.

808
00:38:56,080 --> 00:38:57,160
Who cares, You can tune.
Out.

809
00:38:57,160 --> 00:38:59,200
Yeah, yeah, yeah.
I loved it because you I could.

810
00:38:59,280 --> 00:39:01,560
I was always faster.
I was always faster and could

811
00:39:01,560 --> 00:39:07,480
jump higher than like anyone we
played and then like we like

812
00:39:07,480 --> 00:39:08,840
this was back when you were
Memphis was good.

813
00:39:08,840 --> 00:39:12,200
We had some friends that played
like on U of M, We played pickup

814
00:39:12,200 --> 00:39:16,280
games and it's like a whole
different game when like when

815
00:39:16,280 --> 00:39:19,920
everyone there can like jump
just as high as you, run just as

816
00:39:19,920 --> 00:39:24,640
fast as you and they're like 5
inches taller and they weigh 20

817
00:39:24,640 --> 00:39:26,520
lbs more.
And you're like, Oh my, I have

818
00:39:26,520 --> 00:39:28,400
no advantage.
Like other people used to be

819
00:39:28,400 --> 00:39:30,440
taller than me or stronger than
me, but I could always get

820
00:39:30,440 --> 00:39:31,760
around them.
But when you find those people

821
00:39:31,760 --> 00:39:34,400
that are bigger and faster,
you're like, oh, this is like

822
00:39:34,400 --> 00:39:38,440
not even fair.
You see a six three guy jump and

823
00:39:38,440 --> 00:39:40,800
you're like that.
It's man is it it's this is this

824
00:39:40,800 --> 00:39:42,200
is it's a different, different
world.

825
00:39:42,280 --> 00:39:45,280
There's levels to this where a
small Christian School is much

826
00:39:45,320 --> 00:39:48,280
different than, you know, the
real the real world.

827
00:39:48,280 --> 00:39:51,080
So.
But anyway man, fun times.

828
00:39:51,400 --> 00:39:53,680
Yeah, times.
That's our take.

829
00:39:53,880 --> 00:39:56,920
That's our take.
Thanks for listening to Take

830
00:39:56,920 --> 00:39:59,160
Two.
Find us wherever you find

831
00:39:59,160 --> 00:40:01,640
podcasts and on YouTube for
those who want to watch our

832
00:40:01,640 --> 00:40:02,320
video cast.