Joy to the World: The Christmas Song That Isn’t
Episode 2.65
Every December, churches sing Joy to the World as if it were written for the manger. But historically—and theologically—that’s not quite true. In this episode, Michael and Zach explore the surprising origins of one of the most beloved Christmas hymns and ask a simple question: What is this song actually about?
Written by Isaac Watts and drawn primarily from Psalm 98, Joy to the World is not a nativity hymn but a declaration of kingship. It celebrates the Lord coming to reign, judge the world with righteousness, and restore creation—not the quiet birth of a child in Bethlehem. There are no shepherds, angels, or manger scenes here. Instead, the imagery is cosmic: seas roaring, fields rejoicing, nations witnessing salvation, and creation responding to the arrival of its King.
That doesn’t make Joy to the World unfit for Christmas—it makes it richer. Christmas marks the arrival of the King whose reign Psalm 98 anticipates. Advent looks not only backward to Christ’s first coming but forward to His return. The hymn pulls Christmas out of sentimentality and anchors it in hope: sin and sorrow will not reign forever, because Christ does.
In a season often focused on comfort and nostalgia, Joy to the World reminds believers that Christmas is not just about a baby—it’s about a throne. We sing it not because the world is already joyful, but because its King has come…and He’s coming again.
Find our videocast here: https://youtu.be/lLg-V2hi8kA
Merch here: https://take-2-podcast.printify.me/
Music from #Uppbeat (free for Creators!):
https://uppbeat.io/t/reakt-music/deep-stone
License code: 2QZOZ2YHZ5UTE7C8
Find more Take 2 Theology content at http://www.take2theology.com
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It happened.
It happened again.
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Well, it happened in a bigger
way.
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This is I've got 4 kids. 4.
And they're all at Northwood,
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some in daycare, some.
Yeah, go ahead.
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Yeah.
So I was in the car line today,
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Yeah, and I thought I saw Jordy
sprinting across the from the
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preschool across to get in the
car.
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Is that a thing?
Maybe.
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Does he do that?
Do you have to stop at the
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preschool or do they do they let
you get all your except for
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Josh?
Well, yen a lot of times walks
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to the preschool get the kids,
but they might run ahead of her
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or something to like her
classroom or something.
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OK, well, maybe it maybe I
thought I saw.
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Did you pick up your kids today?
I.
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Did not, no.
I did not.
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All right, all right.
I almost never.
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I just must be mistaken.
Caroline stressed me out, man.
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It it is like it's like this
snake that winds in on itself.
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And it's crazy.
People are like motioning to
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you.
It seems hyper efficient in a
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good way, but it's like if
you're not used to the machine,
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you're like, oh, that's.
Why?
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I think like if Jill's parents
were to like they're like, hey,
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we'll go get him.
Like it is not the car line from
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three years ago.
It has.
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It's gotten this is.
Not your mother's car line.
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You weren't probably going to
talk about car line.
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No, I wasn't.
I was going to talk about, well,
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Northwood has a don't talk about
Santa rule deal.
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At school.
At school.
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At school, yeah.
Don't talk about Santa at.
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School rule.
I can see where this is going.
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Last year.
Yeah, so we're going to talk
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about Santa.
We're going to talk about Santa.
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Oh yeah, that's right.
If your kids for some reason
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believe in Santa, we're going to
tell them the truth.
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So turn this podcast off.
A warning.
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But last year, Jayden, he's like
more mild mannered.
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He said something his teacher
was like, hey, you know kids are
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talking about Santa Jane was
just like not real whatever like
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they brought it up first
whatever.
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A little bit in the pre-K they
talk about Saint Amore.
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I think the rules are different,
like lower school versus like
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daycare where like the they talk
about Santa like the teachers
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maybe don't encourage it, but
like, oh, what's Santa bring in?
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Like we'll do that kind of
thing.
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It's like different.
It's not the school.
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It's it's such, it's such a
worst question to ask a kid.
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What is Santa bringing?
Why not just say, what are you
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wanting for Christmas?
There you go.
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And then it's agnostic.
It's that's right.
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That's exactly right.
Jordan.
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He was a little bit more
bombastic and just like, dropped
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the bomb.
Santa's not real.
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Apparently him and another kid
named Clayton were at opposite
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ends of this.
And I and.
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And so teacher, like, reached
out like Kotland was like, hey,
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you know, just so, you know,
like, it was kind of, she was
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like, not mad.
She was kind of funny, but
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whatever.
We asked Jordan about it and we
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were like, oh, yeah.
So how did it end up?
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He was like, I'm the only one
that said Santa wasn't real.
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I was like, what did your
teacher say?
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She said Santa was real.
So it's kind of funny.
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You know, he was on the island,
you know, out there fighting.
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No, you heard my story growing
up, right?
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Through 5th.
Grade. 5th grade that is so.
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Old, that is, that's like is
Emerson 6th grade.
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So it's like just shy.
It's it's like, what were y'all
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doing Mom dad?
A lot of people.
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Are happy PTSD.
Experiences.
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I found out I think in second
grade, my Sunday school teacher
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said something or something like
that.
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My parents were like upset at
it, but I was like it.
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It blew my mind.
I was talking to people at our
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work Christmas party 'cause it
came up like, Hey, you tell, do
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you tell your kids about Santa?
Like no theological basis.
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But several people are like, oh,
we don't do that because it, it
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messed me up or like, like, like
just from a trust perspective,
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Like trust, no other basis.
But it was like a thing.
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I was like wow.
Yeah, because I wondered about
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Santa's relationship to God.
Like, how do they relate?
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Do they?
They must work together, you
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know what I'm saying?
And I had some.
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I had like I remember in 3rd
grade I had this ink pad and
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without warning right before I
went to bed, I was like, all
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right, Santa, if you're real,
you know, leave like a hoof
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print or something of, of the
reindeer.
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And my sisters faked it.
They.
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Did and.
It looked real and I was like,
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this is the proof that was.
It that's all I did this is the.
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Proof.
So it was crazy.
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I saw some, I saw some presents
wrapped from Santa like two or
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three days before Christmas and
I was like, so it's not real.
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Yeah, that was the.
Yeah, and I'm like.
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And why?
Well, yeah.
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What?
Mom, my mom's like, well, I
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always kind of thought you
probably did know.
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I'm like y'all bent over
backwards to deceive.
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Man.
Yeah.
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And ultimately that is what it
is.
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It's a deception.
Deception.
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I should say this, Michael.
What do?
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What do you gain from it though?
Really I.
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Know you lose.
Credit too if you have good
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kids.
Yes, and you're not rich.
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What are you telling them as to
why they didn't get something
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they asked for?
Dude, yeah.
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Why did Santa like Santa's
playing favorites?
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I will say you are in a way
deceiving our viewers because
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you are.
You're like you're doing the you
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got.
I'm gonna say you, you run me
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with a mullet because you're
business on top.
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But Christmas, Christmas pants
going on.
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He's got.
The he's got the polo on, but
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he's got the holiday.
Yeah, there you go.
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So it's funny, you know, 'cause
it's like brown polo.
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Yeah.
Yeah, Christmas.
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Pants.
Well, I was wearing my dress
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pants and I was like, you know,
I'm gonna be sitting in this
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position when we record someone
row and it's just not
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necessarily the most comfortable
position, so.
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Pod podcasting is not.
Easy.
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No, it's you need to dress.
Dressed in athletic gear for
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podcasts because it's that
demanding.
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That's right.
That's right.
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But Chris, we're we're going to
do a Christmas episode about a a
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hymn.
One of my favorite Christmas
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hymns.
Man, right.
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Yeah, yeah, man.
It's yeah, yeah.
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I see what you did there.
I mean, wow, I I, I should have
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pulled up a ranking.
Like what do you think the top
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like 5 hymns are like?
I don't, I don't.
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Where do you think this one
we're talking about today?
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I would think a top ten like it
would come in.
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I don't know for.
Sure, especially if you're
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talking about religious.
Songs.
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Yeah, yeah.
That's what, yeah.
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Exactly.
If you're talking about
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religious Christmas songs,
definitely maybe the top.
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I would probably say probably.
Most people say this is top 1-2
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or three.
Maybe a holy night?
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A holy night that's like a go.
Silent Night, Yeah.
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Joy to the world.
Hark the Herald.
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Probably in the top 4.
Maybe a What child is this?
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Maybe.
Mary, did you know?
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Mary, did you know, I saw this
video and this guy, this woman
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was, I don't know if it's her
husband or what, but she was
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like reading through all the
questions and then he was
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answering them.
Like, yes, she knew that.
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No, she wouldn't have known
that.
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Maybe she knew that like she
was.
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He was just going down.
I thought it was pretty funny.
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That's good.
Mary did you know just swept the
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world by storm.
It was like contemporary and OK
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for for very conservative
churches.
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It was like it like checked all
the boxes where it was like in
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this, you know when when did do
you know when this song came
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out?
15 years ago maybe.
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I I I'm curious, I want to say
it's older than that, but I.
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Maybe it is.
Let's see, because I remember I
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never know 'cause my.
Church.
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I would.
I think that's a good guess.
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Year it came out.
Let's see, 'cause I know my
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church, I always envisioned my
fundamental independent Baptist
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Church always being like 50
years in the past.
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So it seemed really new to us at
the time.
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It was like a 1991.
Oh my goodness, 91.
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With lyric, the lyrics were
written in 1984, song developed.
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1991 was when it was first
recorded and you know, I don't
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know if maybe it maybe it, it
took on popularity a little
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later.
I don't know, like if it took a
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while to come through, but yeah.
It I wouldn't have put it at the
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early 90s at all.
Man, we're just dropping
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knowledge on you, maybe dropping
a little more knowledge when we
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talk about joy to the world, the
Christmas song, the.
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The Christmas song, Yeah.
So let's let's talk more about
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that.
Let's take it to the next level.
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Let's fire up that twanga music.
From the hearts of the Low
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Country in South Carolina.
It's the Take Two podcast where
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we take theology to the next
level.
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Joy to the world, like, like we
were saying, classic hymn.
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I love that hymn.
It just has like the tune to it,
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you know?
It's like joy to the world.
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You know, it's easy because it
just goes right down that major
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scale.
So you know, if you, if you're
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familiar with music, it just
starts at the top and just works
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down the major scale.
So it's it's nice.
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And you have to think it's
author Isaac Watts.
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Just you get to see him by the
Yuletide fire.
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He's just sipping hot cocoa.
It's Christmas time, and he's
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writing this specifically for
Christmas, you know.
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Yeah.
Is this the same Isaac Watts
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that that did science stuff?
Well, this Isaac Watts, I don't
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know.
He's called the father of
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English.
English.
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I don't know if this is the same
Isaac watch or not he.
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Maybe it's a different watts
you.
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Know this guy was born in 1674
lived to 1748, but we just did a
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hasn't aired yet did a podcast
on worship.
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I did a deep dive on Isaac Watts
because he really changed the
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game.
He brought the church, a lot of
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the church, out of exclusive
psalmody and into this hymn era,
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which was pushing boundaries at
the time, you know, writing
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these hymns.
James Watt.
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Was the scientist.
James maybe they were, you know,
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family reunions, they caught up
or something.
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I don't know.
But what I want to land on is
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Joy to the World actually a
Christmas hymn or something
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else?
Maybe.
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00:09:51,320 --> 00:09:53,440
Let's dive into the history.
Isaac Watts, it's.
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Probably a premillennial hymn.
It actually assumes a very
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specific eschatology is great.
I love it written, you know,
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around 300 years ago, you know,
late 1600s, early 1700s.
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And this guy, Isaac Watts
pushing the boundaries.
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He was not he wasn't super
against just singing the Psalms,
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but he actually struggled that
in the Psalms.
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He would like them to be more
Christ centered.
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Like maybe it he would say
implicitly talk a lot.
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About every scripture type of
thing, yes.
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And he was saying it's implicit,
but it's not explicit.
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He would actually rewrite hymns
and where it was maybe a little
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vague, he would like change it
for Christ like he would like.
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00:10:35,520 --> 00:10:38,040
That's how he kind of started
writing some of these hymns.
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Oh, so he took existing hymns?
And built off of them or psalms
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took psalms and built and tried
to bring Christ into him.
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He thought some of the psalms
for music were a little too
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00:10:48,840 --> 00:10:50,680
literal.
Tried to put some like imagery
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00:10:50,680 --> 00:10:53,800
on it for for singing.
And so his goal was to take
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Psalms and he would say wanted
to write it in the language of
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the New Testament by importing
Christ more clearly.
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00:10:59,600 --> 00:11:01,520
I think all of us would say,
yeah, it's talking about Christ,
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but maybe it doesn't say Jesus
Christ.
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00:11:03,600 --> 00:11:08,800
And you know every Psalm, right?
And so with that being said, he
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based this joy to the world on
Psalm 98.
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00:11:12,880 --> 00:11:15,760
He actually had a collection of
hymns called the Psalms of David
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imitated in the language of the
New Testament.
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00:11:18,120 --> 00:11:20,720
What a name of a of like a
collection of hymns.
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00:11:21,360 --> 00:11:24,560
So maybe we can look at Psalm
98, see what it says.
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00:11:24,560 --> 00:11:26,640
Maybe we can be looking for
those parallels Maybe.
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00:11:26,640 --> 00:11:28,200
We can only only if it's a
chiasm.
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00:11:28,840 --> 00:11:30,640
If it's a chiasm, shut this
down.
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00:11:32,560 --> 00:11:33,680
Yeah, go ahead.
Go ahead and read.
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00:11:33,680 --> 00:11:35,200
And I don't know if we need to
do this, Michael.
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00:11:35,200 --> 00:11:36,400
We might.
I don't know if you want to
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00:11:36,400 --> 00:11:39,920
also, you know, if people don't
know joy to the world like we
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can, like most people probably
know it.
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You know, I don't know if it's
worth like saying like the first
250
00:11:44,080 --> 00:11:45,080
verse or something.
I don't know.
251
00:11:45,120 --> 00:11:48,160
Joy to the world.
The Lord has come.
252
00:11:49,600 --> 00:11:54,440
Let Earth receive her king, let
every heart prepare him room,
253
00:11:55,600 --> 00:11:57,560
and heaven and nature sing.
I forget the next.
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00:11:57,560 --> 00:12:00,280
Part and heaven and nature sing.
And heaven and nature sing yes.
255
00:12:01,240 --> 00:12:03,760
Next one start, verse 2 starts
out joy to the earth.
256
00:12:03,760 --> 00:12:05,840
The Savior reigns.
Savior reigns.
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00:12:06,280 --> 00:12:10,320
Our mortal songs employ while
fields and floods, rocks, hills
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00:12:10,320 --> 00:12:12,840
and plains.
Repeat the sounding joy.
259
00:12:13,240 --> 00:12:14,120
Yeah.
Repeat the sounding.
260
00:12:14,280 --> 00:12:14,840
Yeah.
It's great.
261
00:12:15,720 --> 00:12:19,680
Third verse No more.
Let sins and sorrows grow north,
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00:12:19,680 --> 00:12:22,200
thorns infest the ground.
He comes to make his blessings
263
00:12:22,200 --> 00:12:25,200
flow far as the curse is found.
A lot of people I think we skip.
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00:12:25,440 --> 00:12:26,680
It's like a hymn thing.
You skip verse.
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00:12:26,680 --> 00:12:28,120
Three, you don't want verse 3
it.
266
00:12:28,160 --> 00:12:30,880
Was like first, second and last.
We used to always be like first,
267
00:12:30,880 --> 00:12:34,160
second and last, you know?
You know, and then bring us home
268
00:12:34,160 --> 00:12:38,240
with the final verse.
Yeah, yeah, he rules the world
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00:12:38,520 --> 00:12:41,320
with truth and grace.
Let men their songs employ.
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00:12:41,600 --> 00:12:42,960
This one.
Is.
271
00:12:44,080 --> 00:12:50,000
Read it to me and makes the.
Nations prove, yeah, the glories
272
00:12:50,040 --> 00:12:52,360
of his love, righteousness,
righteousness.
273
00:12:52,440 --> 00:12:54,440
But and wonders of his.
Love and wonders of his love
274
00:12:54,440 --> 00:12:55,840
there.
We go so, so that's we're
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00:12:55,840 --> 00:12:58,880
familiar with this.
Let's see, you know how old?
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00:12:58,920 --> 00:13:00,720
I'm curious how well it matches
up with Psalm 90.
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00:13:00,760 --> 00:13:01,360
Eight.
Yeah, yeah.
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00:13:01,360 --> 00:13:05,520
So you want me to read Psalm 98?
I sent our notes, do you want me
279
00:13:05,520 --> 00:13:09,080
to read it from from your notes?
If it depends, you want NASB or
280
00:13:09,080 --> 00:13:10,680
ESBI, don't know.
I don't know which version I did
281
00:13:10,680 --> 00:13:12,720
the notes in all right.
So I'll just read it from the
282
00:13:12,720 --> 00:13:14,560
notes.
It says, O sing to the Lord a
283
00:13:14,560 --> 00:13:16,480
new song.
For He has done wonderful
284
00:13:16,480 --> 00:13:19,720
things.
His right hand and his holy arm
285
00:13:19,720 --> 00:13:23,120
have gained the victory for him.
The Lord has made known his
286
00:13:23,120 --> 00:13:26,560
salvation, and he or his
salvation, He has revealed his
287
00:13:26,560 --> 00:13:28,760
righteousness in the sight of
the nations.
288
00:13:29,360 --> 00:13:32,320
He has remembered his loving
kindness and his faithfulness to
289
00:13:32,320 --> 00:13:35,920
the House of Israel.
All the ends of the earth have
290
00:13:35,920 --> 00:13:39,160
seen the salvation of our God.
Shout joyfully to the Lord.
291
00:13:39,160 --> 00:13:42,560
All the earth break forth and
sing for joy and sing praises.
292
00:13:42,920 --> 00:13:45,840
Sing praises to the Lord with a
liar, with a liar and the sound
293
00:13:45,840 --> 00:13:48,280
of melody with trumpets.
In the sound of the horn.
294
00:13:48,280 --> 00:13:50,280
Shout joyfully before the king.
The Lord.
295
00:13:50,640 --> 00:13:53,720
Let the sea roar, and all it
contains the world and those who
296
00:13:53,720 --> 00:13:56,280
dwell in it.
Let the rivers clap their hands.
297
00:13:56,280 --> 00:13:59,920
Let the mountain sing together
for joy before the Lord, for He
298
00:13:59,920 --> 00:14:03,360
is coming to judge the earth.
He will judge the world with
299
00:14:03,360 --> 00:14:06,000
righteousness and the peoples
with equity.
300
00:14:06,320 --> 00:14:08,680
And you know, I was thinking, I
bet it would have been better to
301
00:14:08,680 --> 00:14:12,280
read it in the good old King.
I bet I bet it would have more
302
00:14:12,280 --> 00:14:14,720
overlaps, like more specifically
just based on the time.
303
00:14:14,920 --> 00:14:17,880
But you can even in reading it,
you can like see like nature,
304
00:14:18,200 --> 00:14:21,960
you see all the themes kind of
you're like, oh, I can see what
305
00:14:21,960 --> 00:14:23,760
he was doing.
He's trying to stay very close
306
00:14:23,760 --> 00:14:26,920
to the Psalms, but make it like
you're not singing the Psalm,
307
00:14:26,920 --> 00:14:30,080
you're singing a song.
And it's very close.
308
00:14:30,080 --> 00:14:32,920
It's not like he's departed.
But you can see how that might
309
00:14:32,920 --> 00:14:36,960
be a little bit easier to sing
than iambic Pentanner going
310
00:14:37,000 --> 00:14:41,480
through where it's like, you
know, but also very edgy in his
311
00:14:41,480 --> 00:14:43,040
day.
But you see, you know the Lord
312
00:14:43,040 --> 00:14:46,720
coming to judge the earth, the
righteousness, the equity, and
313
00:14:46,720 --> 00:14:49,320
then jumps off the page.
All creation rejoices.
314
00:14:49,320 --> 00:14:52,760
Where are the wise men here in
this or the shepherds?
315
00:14:53,400 --> 00:14:55,080
Yeah, Where's the.
Yeah, Where is this?
316
00:14:55,280 --> 00:14:57,800
Where's the Motel 6?
He's missing a He's missing a
317
00:14:57,800 --> 00:15:00,360
lot of the beats, you know, for
a Christmas song.
318
00:15:00,760 --> 00:15:03,640
Got the seas roaring, the field
singing, the hills rejoicing.
319
00:15:04,600 --> 00:15:07,720
If we wanted to, we could go and
make the connection, but I think
320
00:15:07,720 --> 00:15:11,280
we can really see.
But like you said, no.
321
00:15:11,480 --> 00:15:15,160
No, no, there's no major scene.
It's not even like, you know,
322
00:15:15,160 --> 00:15:18,040
Isaiah and the suffering
Servant, You know, people who
323
00:15:18,040 --> 00:15:22,520
are our, you know, stripes, my,
my stripes who are healed or all
324
00:15:22,520 --> 00:15:24,040
of us like sheep have gone
astray.
325
00:15:24,400 --> 00:15:27,280
Every man's turned in his own
way and our iniquity's been laid
326
00:15:27,280 --> 00:15:29,280
upon him.
It's not even that type of
327
00:15:29,280 --> 00:15:31,200
imagery.
It is, it is pretty crazy 'cause
328
00:15:31,200 --> 00:15:35,360
it's it's so to me, Joy to the
World is like boom Christmas, no
329
00:15:35,360 --> 00:15:37,920
questions asked.
But it doesn't hit and it's not,
330
00:15:37,920 --> 00:15:42,600
there's not a lot of, you know,
I think joy to the joy to the
331
00:15:42,600 --> 00:15:45,280
world, the Lord has come and
you're like, OK, I can see that
332
00:15:45,280 --> 00:15:49,560
being Christmassy, but you keep
on going through and it's like
333
00:15:49,560 --> 00:15:54,040
more of a rain and judging and
equity and not as much.
334
00:15:54,040 --> 00:15:55,800
So what?
What I hear is this not even
335
00:15:55,800 --> 00:15:57,840
really an Easter song either.
Right, right.
336
00:15:58,240 --> 00:16:01,680
This is a this is a
resurrection, second coming of
337
00:16:01,680 --> 00:16:03,960
the Lord song.
So we should like, pair this
338
00:16:03,960 --> 00:16:06,200
with, you know, Hymn of Heaven
from Phil Wickham.
339
00:16:06,200 --> 00:16:07,240
Yeah, there you go.
Yeah.
340
00:16:07,240 --> 00:16:10,680
We should have a Sunday that is
all about the premillennial
341
00:16:10,680 --> 00:16:13,640
reign of Christ, and then we
should sing the song Hey.
342
00:16:15,280 --> 00:16:17,880
How how fitting because it is
focused on things like Christ
343
00:16:17,880 --> 00:16:21,520
reign, Christ judging and and
the renewal of creation.
344
00:16:21,520 --> 00:16:24,400
Like all of these things like
these beats are just like that's
345
00:16:24,400 --> 00:16:26,760
why we're making a joyful noise
to the Lord.
346
00:16:26,760 --> 00:16:28,040
Like you said, we're not in
Bethlehem.
347
00:16:28,040 --> 00:16:30,760
No shepherds, no angels.
The incarnation narrative isn't
348
00:16:31,120 --> 00:16:34,520
laid out.
But at the same time, at
349
00:16:34,520 --> 00:16:37,200
Christmas, it's OK to celebrate
the arrival of the game.
350
00:16:37,960 --> 00:16:42,880
Like no.
And so just like everything
351
00:16:42,880 --> 00:16:44,880
else, I feel like a good answer
in Christianity is to say
352
00:16:44,920 --> 00:16:46,640
already and not yet.
That's like, that's like a good
353
00:16:46,640 --> 00:16:48,000
place to.
Be it?
354
00:16:48,080 --> 00:16:50,000
Is it?
Is now it's it's very fitting
355
00:16:50,040 --> 00:16:53,680
where, you know, we get the
hints in the first coming of the
356
00:16:53,680 --> 00:16:58,120
second coming.
And this is kind of where where
357
00:16:58,120 --> 00:17:00,680
we we sit, where joy of the
world isn't necessarily about
358
00:17:00,680 --> 00:17:05,200
Christ being born, but it's
about Christ taking his throne,
359
00:17:05,200 --> 00:17:10,280
judging, reigning and all
creation becoming new.
360
00:17:11,520 --> 00:17:13,400
So is it OK?
Are we just like can take it out
361
00:17:13,400 --> 00:17:16,240
of the rotation or it's close
enough We can, we can keep it in
362
00:17:16,240 --> 00:17:19,119
there?
Yeah, I mean, you don't get
363
00:17:19,400 --> 00:17:22,280
Christ's second coming if you
don't get this first coming.
364
00:17:22,720 --> 00:17:24,040
That that's that's.
Very true.
365
00:17:24,160 --> 00:17:26,400
You can't.
Just so you know, he the first
366
00:17:26,400 --> 00:17:29,880
sets up the 2nd and you know,
the 1st is what we're
367
00:17:29,880 --> 00:17:33,400
celebrating at Christmas.
But I think I have mentioned
368
00:17:33,400 --> 00:17:36,040
from while we sing it, you know,
yeah, this is not really a
369
00:17:36,040 --> 00:17:40,240
Christmas song.
This is more of a Christ return
370
00:17:40,640 --> 00:17:42,880
song.
I like that you get like the big
371
00:17:42,880 --> 00:17:47,480
picture too, where, you know,
Christmas, it's not just like I
372
00:17:47,480 --> 00:17:50,280
think sometimes you're like, oh
man, we're singing away in the
373
00:17:50,280 --> 00:17:53,560
Manger and these things.
It's like truth, but it it's
374
00:17:53,560 --> 00:17:58,480
like sentimental where this is
more like cosmic and scope where
375
00:17:58,480 --> 00:17:59,880
kind.
Of connects with the song that I
376
00:17:59,880 --> 00:18:03,520
ended with for House the
Holidays, which you you can tell
377
00:18:03,520 --> 00:18:04,720
us all about since you were
there.
378
00:18:05,000 --> 00:18:07,800
I was right there in the back.
I was I was with your kids at
379
00:18:07,800 --> 00:18:10,720
the at your other kids recital.
Yeah, yeah, yeah.
380
00:18:11,400 --> 00:18:12,680
Tell us what?
What was the song you?
381
00:18:12,760 --> 00:18:14,400
Posted it's called In the First
Light.
382
00:18:14,880 --> 00:18:17,440
The lyrics are basically like in
the first light of the new day.
383
00:18:17,880 --> 00:18:21,720
No one knew he had arrived.
And then it goes on to say, you
384
00:18:21,720 --> 00:18:26,240
know, heaven knew what happened.
Mary wondered about it.
385
00:18:27,360 --> 00:18:30,000
He would tell them of his
Kingdom, but their hearts
386
00:18:30,000 --> 00:18:32,400
wouldn't believe.
They would hate him, and they'd
387
00:18:32,400 --> 00:18:34,560
kneel into a tree.
And then there's this big
388
00:18:34,560 --> 00:18:37,480
crescendo of kind of like the
death scene, but then it's like,
389
00:18:38,000 --> 00:18:43,600
but the sadness is broken
because the song of the new day
390
00:18:43,600 --> 00:18:48,800
is going to arise, and the first
born of creation will send and
391
00:18:48,800 --> 00:18:51,240
take his throne.
And then it keeps on going, you
392
00:18:51,240 --> 00:18:54,520
know, You know, And then at the
very end of the song, it makes
393
00:18:54,520 --> 00:18:57,800
this comparison between, you
know, how great it would be to
394
00:18:57,800 --> 00:19:02,520
hear the Angel singing his
birth, but how much greater when
395
00:19:02,760 --> 00:19:04,960
he come to these pictures?
This is.
396
00:19:04,960 --> 00:19:08,960
I love this, Yeah.
Yeah, I do not like if you knew
397
00:19:08,960 --> 00:19:12,160
this podcast, not a big Lord of
the Rings fan, not a not a big
398
00:19:12,160 --> 00:19:15,360
like fiction person.
And really I feel 'cause I feel
399
00:19:15,360 --> 00:19:16,960
like the Bible's good enough for
me.
400
00:19:16,960 --> 00:19:19,680
Michael No, I'm just kidding.
But I feel like for someone who
401
00:19:19,680 --> 00:19:22,880
doesn't like these things, I I
love these pictures.
402
00:19:22,880 --> 00:19:26,480
See the Bible that it's like you
see like this foreshadowing.
403
00:19:26,480 --> 00:19:28,200
It's like all this stuff is
like, so cool.
404
00:19:28,200 --> 00:19:33,920
You're almost there 'cause great
fiction, it trades off of the
405
00:19:33,920 --> 00:19:36,720
real themes of history and
you're like, I just need the
406
00:19:36,720 --> 00:19:38,200
real themes, history.
Yeah, I know, I know.
407
00:19:38,200 --> 00:19:39,360
It's like and I'm not like
super.
408
00:19:39,360 --> 00:19:44,760
I'm not anti fiction.
I just have a hard time with I
409
00:19:44,760 --> 00:19:45,920
have a hard time with like
elves.
410
00:19:45,920 --> 00:19:48,880
This is this is the thing like
point of ears like like I'm not
411
00:19:48,880 --> 00:19:51,880
good at like the alternate.
Don't say it like that.
412
00:19:51,880 --> 00:19:53,520
I I hate other races.
Well.
413
00:19:53,960 --> 00:19:56,880
Other races in the real meaning
of the word races, because yeah,
414
00:19:57,200 --> 00:20:02,000
how we use race is not really.
A it's, it's like goblins or I
415
00:20:02,000 --> 00:20:04,800
don't, I don't know what it is.
It's something about that where?
416
00:20:06,280 --> 00:20:08,960
You're you can't suspend
disbelief.
417
00:20:08,960 --> 00:20:11,680
Yeah, it's too weird for me
where it's like I need, I need
418
00:20:11,680 --> 00:20:14,440
to like, it's hard for me to
like get invested.
419
00:20:14,440 --> 00:20:19,200
Have we talked about the book
that Frank Turek and Sean
420
00:20:19,200 --> 00:20:24,480
McDowell Co wrote?
And it basically compared these
421
00:20:24,480 --> 00:20:31,400
great fantasy novels of Narnia,
Harry Potter, Dang Lord of the
422
00:20:31,400 --> 00:20:35,320
Rings, maybe a couple other
ones, maybe even some of the DC
423
00:20:35,640 --> 00:20:38,000
Comics and stuff.
And they just showed the
424
00:20:38,000 --> 00:20:42,120
typographies like you cannot,
like you can the best stories
425
00:20:42,120 --> 00:20:45,040
ever told.
They have to trade on these
426
00:20:45,040 --> 00:20:50,120
themes from reality, you know?
You know, the sacrifice for
427
00:20:50,120 --> 00:20:53,720
other people type of thing, the
glorious return, You know, all
428
00:20:53,720 --> 00:20:55,640
those, those tropes.
And those are always good.
429
00:20:55,680 --> 00:20:58,000
Like I I when I watched Super
her movie when I was younger,
430
00:20:58,000 --> 00:21:00,760
it's like you love all those
things, so maybe I'm coming
431
00:21:00,760 --> 00:21:03,120
around to, but I'm like, man, I
why do I need the trope?
432
00:21:03,120 --> 00:21:05,320
When I'm in the millennial
reign, you'll you'll you'll
433
00:21:05,520 --> 00:21:08,560
start reading some Pansy.
Get in the movie theater, it's
434
00:21:08,560 --> 00:21:12,960
like, and also, and where I have
even a harder problem is like,
435
00:21:13,640 --> 00:21:18,080
I'm such I'm such a spoiled
brat, but it's like into the
436
00:21:18,080 --> 00:21:19,360
Louvre.
It's fine.
437
00:21:20,720 --> 00:21:21,760
Like it's great.
It's fine.
438
00:21:21,760 --> 00:21:22,960
It was fine.
I was like, it was good.
439
00:21:23,280 --> 00:21:25,640
But it's like the Mona Lisa.
I'm just like a lot of people
440
00:21:25,640 --> 00:21:27,800
gather around this tiny picture.
I don't get it.
441
00:21:27,920 --> 00:21:29,560
Like I can see that from my
computer.
442
00:21:29,560 --> 00:21:32,360
Screen.
Yeah, it's it's it's the I I
443
00:21:32,360 --> 00:21:34,320
have no appreciate like I'm not
an artist.
444
00:21:34,320 --> 00:21:36,160
I wish I was.
You think I would?
445
00:21:36,480 --> 00:21:37,880
Respect the camera and tell
Chloe.
446
00:21:38,400 --> 00:21:40,520
See, Chloe should tell me
because you think I would
447
00:21:40,520 --> 00:21:42,640
respect it more because I'm so
poor at it.
448
00:21:42,640 --> 00:21:44,760
Like I do respect it.
Like, oh, that's amazing.
449
00:21:44,760 --> 00:21:47,160
We don't do that.
But I'm like, I don't know.
450
00:21:47,280 --> 00:21:50,160
I don't, I don't, I don't get,
and this is a different story.
451
00:21:50,160 --> 00:21:51,880
This is what I've heard.
I don't know if this is true,
452
00:21:51,880 --> 00:21:53,840
though.
The Mona Lisa is only really
453
00:21:53,840 --> 00:21:58,400
popular because it was stolen at
one time from the Louvre.
454
00:21:58,400 --> 00:21:59,800
It helped like give it some
notoriety.
455
00:21:59,800 --> 00:22:01,000
And then it got even more
popular.
456
00:22:01,360 --> 00:22:06,240
I don't know, conspiracy, but
joy to the world bringing it
457
00:22:06,240 --> 00:22:08,120
back, connecting.
I like this.
458
00:22:08,120 --> 00:22:12,080
I like these connections, like
talk about a baby and a Manger,
459
00:22:12,080 --> 00:22:14,200
but talk about a king, like, you
know, we should be thinking
460
00:22:14,200 --> 00:22:16,960
about these things.
Not not mutually exclusive, you
461
00:22:16,960 --> 00:22:21,800
know, So joy to the world, I
think think a good song as we're
462
00:22:21,800 --> 00:22:24,120
focusing on incarnation.
But you know, with our eye, we
463
00:22:24,200 --> 00:22:26,680
we know what has happened and
what will happen.
464
00:22:26,720 --> 00:22:28,680
Yeah, yeah, that's good.
Yeah.
465
00:22:28,680 --> 00:22:33,120
And I think it helps you, you
know, just connect those things,
466
00:22:33,120 --> 00:22:36,600
'cause when you sing it at
Christmas and you come across
467
00:22:36,600 --> 00:22:38,760
those words, I remember, well, I
remember coming across those
468
00:22:38,760 --> 00:22:42,000
words as youngsters going, oh,
what's going on here?
469
00:22:42,400 --> 00:22:45,600
But maybe it can help you think
just beyond Christmas itself,
470
00:22:46,200 --> 00:22:48,120
You know, if you're paying
attention to what you're saying.
471
00:22:48,360 --> 00:22:49,760
That that's true.
Yeah, that's true.
472
00:22:49,840 --> 00:22:53,440
That's very, very good point.
And you know, Joy World's great
473
00:22:53,440 --> 00:22:56,480
at just the repeat thing where
you at least catch the, you
474
00:22:56,480 --> 00:22:59,160
know, you got to you got to
think about the words a little.
475
00:22:59,160 --> 00:23:01,920
Especially if you're singing
parts, because if you're singing
476
00:23:01,920 --> 00:23:04,600
the bass or tenor part I think
it even repeats more.
477
00:23:05,440 --> 00:23:06,920
Yeah, there you go.
Repeat the sound.
478
00:23:07,400 --> 00:23:10,080
This is great.
So some reflection questions.
479
00:23:10,280 --> 00:23:13,280
Do you think of Jesus more as a
as a baby than a king at
480
00:23:13,280 --> 00:23:15,520
Christmas in particular?
I think maybe some people that's
481
00:23:15,520 --> 00:23:18,720
like the default.
I think a lot of places,
482
00:23:18,720 --> 00:23:21,600
churches, they do a good job of
providing some commentary, you
483
00:23:21,600 --> 00:23:23,400
know, giving the framing it, you
know, in the.
484
00:23:23,520 --> 00:23:28,160
Larger context Jesus more as a
this is going to sound bad.
485
00:23:29,440 --> 00:23:32,480
Can I use this word, stodgy
rabbi, like a really tough
486
00:23:32,480 --> 00:23:35,280
rabbi.
That would be like, why don't
487
00:23:35,280 --> 00:23:37,560
you know this?
Why?
488
00:23:37,760 --> 00:23:41,920
Why is your face so small?
Like, like, you know, like he's
489
00:23:41,920 --> 00:23:44,400
tough sometimes on his apostles.
Yeah.
490
00:23:44,400 --> 00:23:46,320
You know, it's, it's true.
People don't.
491
00:23:46,560 --> 00:23:50,360
I love tough in general when
we're, you know, cleansing the
492
00:23:50,360 --> 00:23:53,400
temple.
Not only is he like pulling out
493
00:23:53,400 --> 00:23:56,240
the whip, but he's like
fashioning the whip.
494
00:23:56,240 --> 00:23:58,400
Like he's got to make the whip.
It's like he's got to be
495
00:23:58,400 --> 00:24:01,640
premeditated.
Like like it's like this is such
496
00:24:01,640 --> 00:24:03,600
a big deal that I'm going to
make a whip right in front of
497
00:24:03,600 --> 00:24:05,160
everyone and do this.
That's like crazy.
498
00:24:05,160 --> 00:24:08,880
It is crazy.
So yeah, Greg Koval recently has
499
00:24:08,880 --> 00:24:11,680
talked about praying.
He's like, I find my heart drawn
500
00:24:11,680 --> 00:24:15,560
more to the Father 'cause I pray
to him than I do actually to
501
00:24:15,560 --> 00:24:18,640
Jesus, 'cause I don't normally
pray to Jesus as much.
502
00:24:19,240 --> 00:24:22,200
And so I feel like I have an
intimacy with the Father that I
503
00:24:22,200 --> 00:24:24,720
don't necessarily have with the
person Jesus.
504
00:24:24,720 --> 00:24:27,520
Like, and we know that
ontologically, you know, the
505
00:24:27,520 --> 00:24:29,480
Trinity's one being and stuff
like that.
506
00:24:29,480 --> 00:24:32,720
But yeah, it's just odd how you
you have these mental I.
507
00:24:32,760 --> 00:24:35,600
Think that's very true, yeah.
Where it's just like
508
00:24:35,880 --> 00:24:39,480
functionally you just gravitate
because you do.
509
00:24:39,520 --> 00:24:42,000
It's it that does have to frame
how you think of every single
510
00:24:42,000 --> 00:24:44,760
prayer is like heavenly Father
and like that's just like, you
511
00:24:44,760 --> 00:24:47,720
know, all associated with that.
Right, right.
512
00:24:49,000 --> 00:24:53,760
Great, so next time you sing Joy
to the world, you know, keep
513
00:24:53,760 --> 00:24:57,320
keep this in mind that the king
has come, but he is also coming
514
00:24:58,200 --> 00:25:01,200
again.
Also, it's one of these hymns
515
00:25:01,200 --> 00:25:04,760
that a lot of hymns don't lean
into the whole judgement theme.
516
00:25:04,800 --> 00:25:06,600
You know, this does it in a good
way.
517
00:25:06,600 --> 00:25:08,800
You know what I mean?
Like it talks about him judging.
518
00:25:09,320 --> 00:25:13,000
It's strong, doesn't.
Make the nations prove the
519
00:25:13,000 --> 00:25:16,000
glories of his righteousness.
Right That was.
520
00:25:16,000 --> 00:25:16,560
Yeah, that's.
Right.
521
00:25:16,560 --> 00:25:18,160
That's right, yeah, where you
just don't.
522
00:25:18,560 --> 00:25:23,480
Some of that I think can be lost
a little bit in culture and it's
523
00:25:23,480 --> 00:25:27,480
a little bit I think that is a
pro of pulling stuff from the
524
00:25:27,480 --> 00:25:29,520
Psalms a little bit.
You get well-rounded.
525
00:25:30,320 --> 00:25:31,880
I would have loved for like
Chris Tomlin.
526
00:25:32,040 --> 00:25:34,160
That'd be great.
Just have like the like side be
527
00:25:34,160 --> 00:25:36,960
imprecatory Psalms like whatever
and just like just like all of.
528
00:25:36,960 --> 00:25:41,080
Them that way.
But it is good, good, good
529
00:25:41,080 --> 00:25:42,160
bounce.
And reading this, I was like,
530
00:25:42,160 --> 00:25:43,960
man, I know, I know a little bit
about Isaac Watch, but I was
531
00:25:43,960 --> 00:25:47,280
like, I wanna get I wanna read
more about this.
532
00:25:47,280 --> 00:25:48,960
And I didn't realize he was such
an innovator.
533
00:25:48,960 --> 00:25:51,240
I knew he wrote a lot of Psalms,
but I didn't know he was like
534
00:25:51,560 --> 00:25:54,480
changing the game, doing some
research.
535
00:25:54,480 --> 00:25:58,600
This will be like in the future,
but Martin Luther versus Calvin.
536
00:25:58,600 --> 00:26:02,280
If you can imagine very
different views on singing,
537
00:26:02,280 --> 00:26:05,240
where you can guess which side
did Martin Luther take, He
538
00:26:05,240 --> 00:26:07,160
wrote.
Yeah, I would think he'd be
539
00:26:07,160 --> 00:26:08,760
like, let's sing.
Yep, that's right.
540
00:26:08,760 --> 00:26:11,440
Mighty Fortress is our God
versus, you know, Calvin's like
541
00:26:11,440 --> 00:26:13,920
get it out of here.
But this is good.
542
00:26:13,920 --> 00:26:16,800
I'm excited to to talk more
about this, but anything else
543
00:26:16,800 --> 00:26:20,800
you want to talk about
specifically on Joy to the
544
00:26:20,800 --> 00:26:24,280
World?
No, I think, I think this has
545
00:26:24,280 --> 00:26:26,120
been good.
And it's good to just, you know,
546
00:26:26,160 --> 00:26:29,960
remind ourselves because
honestly, you can sing really
547
00:26:29,960 --> 00:26:32,880
any song anytime if it's about
Christ.
548
00:26:34,240 --> 00:26:37,680
And so, yeah, but, you know, be
thinking about, you know, the
549
00:26:37,680 --> 00:26:42,520
fullness of Christ's and his
mission during this time, not
550
00:26:42,520 --> 00:26:44,240
just, you know, him being the
baby.
551
00:26:44,800 --> 00:26:47,800
Totally joy to the world.
Think about it.
552
00:26:48,320 --> 00:26:50,640
That's all I have.
That's all Michael has.
553
00:26:51,560 --> 00:26:55,160
That's our take.
Thanks for listening to Take
554
00:26:55,160 --> 00:26:57,400
Two.
Find us wherever you find
555
00:26:57,400 --> 00:26:59,880
podcasts and on YouTube for
those who want to watch our
556
00:26:59,880 --> 00:27:00,560
video cast.